Thursday, August 26, 2010

12 Principles of Permaculture: Creating the New in a Way that Lasts

How do these work for us in the Feldenkrais Work?

Quite well, I think:



Twelve Principle of Permaculture:

1)     OBSERVE AND INTERACT :  Beauty is in the eye of the beholder
2)     CATCH & STORE ENERGY: Make hay while the sun shines
3)      OBTAIN A YIELD: You can’t work on an empty stomach
4)     APPLY SELF-REGULATION & ACCEPT FEEDBACK: The sins of the fathers are visited unto the seventh generation
5)     USE & VALUE RENEWABLE RESOURCES & SERVICES: Let nature take its course
6)     PRODUCE NO WASTE: A stitch in time saves nine. Waste not, want not.
7)     DESIGN FROM PATTERN TO DETAIL: Can’t see the wood for the trees.
8)     INTEGRATE RATHER THAN SEGREGATE: Many hands make light work.
9)     USE SMALL & SLOW SOLUTIONS: The bigger they are, the harder they fall. Slow and steady wins the race.
10)  USE & VALUE DIVERSITY: Don’t put all your eggs into one basket.
11)  USE EDGES & VALUE THE MARGINAL:  Don’t think you are on the right path just because it is a well-beaten path.
12)  CREATIVELY USE & RESPOND TO CHANGE:  Vision is not seeing things as they are, but as they will be.

Thursday, August 19, 2010

How to be Happy, part twenty two

(Two men, John and Chris, on the Earth, above Sonoma Calif, playing with rocks even though they aren't kids anymore, or maybe they are, in part of their hearts/ souls/ bodies)

Once upon a time I read a book
just because the title was so obnoxious
I had to prove to my smart ass self
how ridiculous and assholish the author had
to be.

Not, for the first time in my life,
I was wrong, way wrong.

The book, and title were:
How to Argue & Win Every Time: At Home, At Work, In Court, Everywhere, Everyday

Looks like this:


Buy it if you want:

Here's what I remember:

The guys was cool, won a zillion good guy cases
for the environment,
or even taking on "unpopular" causes like Imelia Marcos.

And his methods were two that stood out:

One: when he wanted to center and clear his mind
and discover what he really needed to know
and
say,
he'd go out in
Nature,
take off his shoes, circle around
on the Earth
and let the truth
or insight come to him.

Two: when talking to the jury,
he used honesty,
as in:
"I'm really nervous, because I really want to win
this case for my client,
and I think this is really important,
and I'm afraid I won't give a good enough argument."

Or something like that.


And then,
he had a bit of sweet wisdom toward the end:

in an argument with someone you love:
Lose the Darned Argument.

Let her/ him be right.

Hey: wise up folks, remember the beaten down look on
your so-called "loved one's" face when you won
an argument.

Is that love: getting them that horrible look
and feeling?

Ans:
No.

So, hey:

dance in nature

speak truth

look at your loved one when arguing and think, feel and know:
what do I / we really want.

Good luck
Good love
Good Earth


Chris

Tuesday, August 17, 2010

Rolling to sit, some "advanced" practicing, for practioners who practice and learners who learn



Rolling to Sit: A graduate course

You can lie on your back and feel what this is all about: two shoulder blades on the floor, the back of your pelvis on the floor, the backs of your legs on the floor, some part of your arms resting down, down, gravity holding your self secure and calm.

How does your breathing go here?

What do you see in front of you?

What is the direction that seems “forward” to your pelvis and torso?

Ah, good.


Now, imagine this: you are sitting. You have somehow come to sitting from this lying on your back position. What direction does your head face now and at what are you looking? How is your torso facing and what is the position of your pelvis? Imagine this pelvis connection to the floor a bit more thoroughly: what parts press down, what parts are up from the floor, where does “forward” seem to be for the pelvis?

How is the spine connecting your head and pelvis in this imaginary sitting position?

Good.

There are a number of ways to get from on your back to your sitting position and this essay won’t go into them, but will suggest that a thorough and slow and almost endlessly delightful study in transitional possibilities from the lying down pelvis and head to the sitting pelvis and head is rich, rich, rich with learning delights.


And hey, another thought experiment: lie on your belly, and feel what is forward now, where are your eyes and nose pointed, what are your legs up and down to, where is your spine, how about your arms?

In this lying down position, it’s possible to come to sitting without using the arms, but why not be fully human and let the game be played as we would as a baby? So your arms are in what’s called “push up” position, and your head can come up and look at the world from any almost vertical axis and now the game: how to get to sitting from here?

Three games really: how to get to sitting look the same way with your head?

How to get to sitting looking to one side or the other?

How to get to sitting looking the way of “down,” the way your feet are presently pointed.

This can take a lot of slow thinking and experimenting and discovering.

All efforts with awareness in any of life are rewarded, and efforts such as this to discover transitional and functional movements like these can be highly rewarding.
Try ‘em and find out.



Now, for some rolling to sit that is a little like what can be found in the Alexander Yanai series, and a lot like what anyone who pays attention can discover who is willing to feel how gravity and their four limbs and the spine pelvis head thing cooperate.

We’ll start like this:

Rest propped up on your back, with your legs wide and easy, and your elbows holding up the top half of your torso and head in a vertical position. This is to say, you are half upright in head and chest, and the lower half of your back is on the floor.
Feel how the elbows holding you this way has all sorts of possibilities for a person/ child discovering all sorts of things about crawling, but for now, just shift a bit side to side and feel how one elbow and then the other supports most of the top half of you, including your head.

Have a little fun with this, and drop your torso a bit as you come through the middle, and come back up more as you shift your weight from one elbow to the other, always keeping your head vertical.

Then rest.

Come back to this propped position, and come with your weight more fully to your right elbow (we’ll cater to the world of right handers/ left footers for starts), coming enough to the right so that you can feel weight shift to the right side of your pelvis. And then come back.

Now do a kind of fun thing, where you shift your weight in a bit of an arc to the right and forward, so the head goes in an arc, and the weight on the pelvis shifts as if on a clock from 12 to 1 to 2 to 3 to 4 to 5 to 6 o’clock.

At six o’clock your weight could be forward enough so that you were sitting. (the right hand coming in handy somewhere along the way).

Play around with this. (Technical term: “fart around” with this.). Let the head arc to the right and then forward, and the pelvis rotate the same way and feel the legs provide the ballast as it were for this shift forward and up of the head and spine.

Notice the weight when your are sitting, and then coming back to the reclining position, notice the reverse shift in your pelvis and head.

Rest.


Now, maybe you recall an Alexander Yanai, when, on your back you scissors your legs one way to come more on your belly and the other way to coming to sitting over your elbow. Maybe you don’t. Either way is fine.

But, again, playing right elbowed/ left legged, from the reclining position, raise your left leg and bring it to the right over your right leg, and in this scissored position, roll the head and pelvis as before as you take the left leg back to the left, and see how sweetly and easily this goes.
Play/ “fart around” with this. Imagine, if you are a practitioner, guiding this movement either from behind the neck, or with the “free” arm, or with the “free” arm and the swinging leg. Realize how going slowly enough could teach a lot to ribs and sternum and head and chest and pelvis and weight shifting and gravity connecting and all that good stuff.

And rest.


Now, you are on your back, a baby, and you lift your left leg and fling it to the right. You roll mainly to your right side, but since you aren’t in a Feldenkrais lesson with your arms starting above your head, you trap your lower right arm under you.

Darn. This is annoying.
But, you feel a toy over there on the right side where your left foot is, and your head wants to come to it, and you swing your head that way, and your left leg swings back over to the left to counter-balance and get out of the way, and your left hand reaches down there for the toy and you have rolled up to sit through your elbow on the right side.
Yes, yes, the bending of the knees ways are “easier” in the world of rolling up to sit, and keeping the head even lower to the floor has a lot of amazing learning. Still, though, in the above you can sort of roll your head along the floor toward the toe near where the left foot landed over on the right there.

Isn’t this fun?

I hope so.

The Elusive Obvious: We can transform, or What is the Feldenkrais Method® all about?



THE FELDENKRAIS WORK
Moshe Feldenkrais lived from 1904 to 1984. He was born into a Hasidic Jewish family in what is now Poland and died in Israel. When he was fourteen, in 1924, he walked, on his own, from his hometown in Poland to Palestine and began his life as a laborer. By the time he died he had achieved a doctor of science in physics from the Sorbonne, had worked as both an engineer and a physicist in France and Israel, had become fluent in four or five languages, had been trained as the Western person to first bring judo from Japan to Europe by the top Japanese judo master, and had invented a system of mental/physical improvement that has helped thousands around the world.

This system, the Feldenkrais Method®, has been useful in enabling children with cerebral palsy to walk for the first time without crutches, for enabling people who have had a stroke to regain use of both sides, for radically increasing the rate of improvement of people recovering from accidents. It also has helped highly skilled musicians like Yo Yo Ma and Yehudi Menuhin, and star athletes like Dr. J, formerly of the Philadelphia 76ers. In between it has been of great use to those feeling the various aches and pains of growing older, or those with sore backs, shoulders, hips and knees, and then also people wishing to add more ease to walking, skiing, dancing, golfing and so on.

So what is the core of this system that can be useful to people at so many levels of physical ability? The core is our innate human ability to learn, and the vast reservoir of forgotten and untapped connections in our brain that have to do with efficient and clear movement in our whole organism. This method is about re-learning and deepening our learning of such relationships as right hip to left shoulder, relationship of toes to spine, relationship of breathing to bending forward and arching back, and the hundreds of other relationships that go into walking or skiing and pushing a wheelbarrow.

One way to understand this is to examine the stimulus for Dr. Feldenkrais’ invention of this system. Knees. It was his knees, deep in trouble for repeated soccer injuries. For all his intellectual skills, he couldn’t stay away from judo, soccer and other activities. He once said that exercise was for lazy people, because if you lived a full and vital life, your zest for living would take you dancing or gardening or all the many fun things we can do, and that would keep you as in shape.

Anyway, his knees were a wreck and this was back before fancy surgery, at the end of the forties, I think, and the doctors told him an operation would yield a 50/50 chance of improving or crippling him. He thought this was the same as flipping a coin and opted to figure it out himself. Immersed in anatomy, physiology, movement systems existing, learning theory of the time, he put full attention of his own knees and what small movements there could reveal. What he discovered not only cured himself, but began to be useful to his acquaintances, and then, as it developed, to wider and wider groups of people.

What did he discover? The title of one of his few books is The Elusive Obvious. All his discoveries where of this nature. Movement in the knee must involve the ankle and the hip. Movement in the ankle must involve the foot and the toes. Movement in the hip must involve the pelvis, and that the spine and that the ribs and that the neck and that the eyes. And all of it, the brain, with its patterns and habits of neck and ribs and spine and pelvis, all having limiting effects on the knees moving in a free and natural way.

Also elusively obvious: as creatures out of the womb, our connection to gravity and to breathing shapes everything we do. Also elusively obvious, especially to anyone who has studied marital arts, the pelvis as near the center of our movement, and central to our balance, and the eyes as the key to our orientation as we go about moving. From his pediatrician wife, he may have tuned in on the amazing journey an infant takes from being able to suck and turn the head, to being able to walk as a toddler. Each of those stages was full of movement that had to be efficient because the baby didn’t have a lot of extra muscle to fling around the body in off kilter ways.

Core elusively obvious: LIFE IS MOVEMENT. THE BRAIN ORGANIZES MOVEMENT. OUR BRAIN THINKS / LEARNS ORGANIZES IN FUNCTION. Bringing food to our mouth, the function of hand to mouth is deep, deep, and can be used and understood, and retrained (say after a stroke, or in retraining a wrecked/ injured/ surgically repaired shoulder) without any regard to muscles, range of motion, relaxing or not relaxing. Functional movement is how we walk, talk, eat, make love, chop wood, play golf, dance. Functional movement is where the most bang per buck can be gotten in relearning how to move with more Ease, Skill and

Basically, this is the Feldenkrais method, the use of our attention to discover more of ourselves, how we relate from one part of our marvelous organism to another, what are our habits and what can be possible if we begin to break free of those habits. Learning who we are, and more important, how we are, and how we could be if we had more options in our movement repertoire.

Enough theory. Feldenkrais work is nothing if not concrete. Let’s start with our left leg, from toes and foot to knee to pelvis to back to neck and shoulder.

Wait. That sounds like a lot more than the left leg doesn’t it?

Oh, well: good old elusively obvious again: the leg is part of us, and we are a whole. The is the major difference between the Feldenkrais Method and various treat a troubled body as if it were a broken car systems, i.e. Western medicine, chiropractic, deep tissue massage and whatnot.


Okay, blah, blah on the theory, to hell with the theory: lie on your back on the ground or the grass and notice this: how does this change and calm your nervous system right off the bat.

Learning is what?

Another elusive obvious: millions of teachers out there that thinking that teaching is telling someone something or demonstrating something.

Not really: teaching is creating conditions so that THE LEARNER LEARNS.

And what is learning?

Ah, all those millions of teachers who think learning is when the student “gets it,” which means: can copy them.

Wrong.

Learning is when the student notices, wakes up to, is changed by noticing a difference INSIDE THEM, IN THE PRESENT, that makes a difference.

And when this difference is noticed: LEARNING IS INSTANTANEOUS.


Okay, back to your back on ground or the floor. WHAT IS THE DIFFERENCE BETWEEN YOUR FEELING OF YOU-NESS IN THE UPRIGHT STATE AND THIS STATE OF LETTING GO FROM THE WORLD OF GRAVITY AND LYING ON THE GROUND?


Okay, learning is happening.

Now please bring your right foot toward your read end, and a little to the outside and stand it up so the sole of your right foot is on the ground, as if you were walking. This is called, even in lying down, “standing the foot.”

Great, stand the left foot and notice what changes in you. If you don’t notice anything, great, slowly, slowly, put the left leg long and bring the foot slowly to stand and see if you can stand to understand and feel and sense any difference.

This is fun.

Don’t worry about “doing it right.” Just pay attention to your experience.

And what is the best advice to any meditator? Pay attention to your experience in the present.

And the best advice to an athlete or a musician wishing to improve? Well, it’s more: create some intelligent variation and pay attention to your experience.

So let’s do that. We are all athletes and musicians, at least the kid in us was (or wanted to be), and we are returning to what kids do best: learn (by playing around).


Okay, left foot standing, and push, easily, slowly, gently the foot into the ground, and feel the transfer of force through your ankle, and your knee and your hip joint (where is the hip joint, anyway), on up to your back and spine and vertebrae and ribs and shoulders. Which shoulder feels this the most? Which way does the spine rotate?

Then “undo” this movement, bring the raised side of your pelvis down, letting go of pushing in the left foot, and become calm and empty with your left foot standing before you slowly and with curiosity do this again. And again. And again.

Each time: make it different than the last time.

Each time: look for more pleasure, for less effort, for letting go of strain, for discovering parts of you and connections you never realized before.

Each time, treat the “undoing” as a real and worthy movement, well worth being awake and attentive and joyful in of itself. Make sure to come to complete ease before each repetition. And stop after six or eight or ten and rest for awhile before doing the whole thing again.

Keep one side of your pelvis on the ground, and let the other lift and rotate.

Try these two out to discover maximum ease and pleasure: tighten your belly, clench your jay and stiffen your chest as you lift and rotate whatever side of the pelvis is lifting and rotating.

Now, soften your stomach and letting it come out a bit, and feel your back muscles working and allow your chest and jaw to be soft as you do this movement. Which allows more ease and pleasure of movement?

So: do this a bunch, take rests, do it some more and then slide your left leg down and rest fully. Rest to let your nervous system relax.

Rest to let the experience reform in your mind.

Rest to notice the difference in how your left and right sides feel, and what that might mean about learning taking place.


Now,. Bring your left foot to standing again, and play around with slowly doing this movement, with the left foot in slightly different spots. See if you can find what feels “best” for you right now, as far as being able to push down straight into the floor, as if you were walking or something like that.

Once you’ve found where you like you left foot, begin to play this game: for three times as you do this movement, let your head slowly turn to the right as the same rate your pelvis is rotating, and come back to the middle as your pelvis comes back.

And then for three times, let your head turn to the left and back as your pelvis rotates and your back arches and you come back to starting.

Back and forth, three times of each for awhile and then another rest.


And now: one last thing, for the starters: Do all the above, and notice the ribs, and play with your eyes.

Eyes and ribs.

And foot and hip and back and pelvis and neck.

It’s a lot. ( A real human being is a lot; that’s why we like children so much: they haven’t been squeezed down to be so much less than what they really are like most adults.)

Notice your ribs and as your head is turning to the right, slowly, slowly turn your eyes to the left. Just a little. Go slow. If you “can’t” do this, make everything smaller and slower and keep playing.

Playing around. It’s not important to get it. It’s fun to experiment, to play around, to try new stuff.

Eyes to the left as your head goes to the right, eyes to the right as your head goes to the left, the pelvis is rotating, the foot is pushing, the ribs are doing some stuff, you are breathing and noticing a lot and having fun, I hope.

If not, rest.

Go slower.

Make less effort.

Notice your experience.

Smile.

Play with this. See what you get.

Rest;.


That’s learning. If you got in over your head, that’s real learning: if you only do what we can already do, how can we change. If we try too hard, we just learn to try too hard.

But farting around, playing, exploring, somehow this, in the world of the elusive obvious, is the fastest way to real change.

Really?

Find out for yourself. If it comes from inside you, then it’s real learning. As if it’s the best and most real food.

YUM.

Monday, August 16, 2010

head and pelvis, without a real lesson, except the wake up lesson




the head is heavy
life is long
the pelvis is big
life is juicy

what more is there
to
say?
lots
but first:
sense the stick
the rod
the magic wand
the wee wee wonka
betrix and between

how long
which way
how could it be longer
stronger
happier
freer?
?
?

let is sway
let it play
have a waking up
day

yes

Thursday, August 12, 2010

head down to rise up from the floor... really? who knows: try it and find out

 (This picture is something that would be good to eat. It may or may not-- probably not, knowing me-- have anything to do with the below, but pics of doing the thing would take all the fun out, wouldn't they?)

What if we had this puzzle:
how to most easily get up from the floor?

Okay, we like puzzles:
here we go
(After all Moshe our man said that the overcoming of difficulties is one of the great pleasure in life)
(( In The Potent Self a potent dense book well worth a bunch of reads or jump in and read a bit here a bit there reads))

Let's say the lesson could evolve like this:
stand and look down at the floor
hmm
what about hands on it, too

okay, that's not so bad

now play a little the usual ways, one hand up, one foot
now play advanced: lift one hand (which did ya pick), and then what foot matches
ah, that's kinda fun

now pick the nicest hand foot pair and think about, plan, imagine the butt down on the floor
somehow
figure a way or two
do 'em, breathe down there
see how far you have come

and wouldn't it be fun to try again?
sure
so we need to get up to standing to go down again
might as well reverse whatever we did

somehow in the reversing and spiralling,
if that's what we like
a hanging head and a lifty butt might
be interesting
yeah, that's the ticket, the good old head butt, head pelvis combo
how do they twirl,
counterbalance each other and so on

hey, this could lead to something like sitting
cross legged and noticing which leg is in front
and put the opposite hand back
and then...
more discovering, it would seem
in the spiralling  head down butt up
world

Tuesday, August 10, 2010

Not knowing what we are doing next



In this moment
we can experience exactly this:
what we are experiencing right now

it sounds so silly
and
yet
think of all the misery we get into wanting
to be better happier richer sexier more loved
instead of getting
happy
or
at least getting reality
from what is going on right now

what's that got to do with Feldenkrais?

hey: it's the one system, well there are probably many more,
but it is one system
where we put out attention on sensing ourselves
and another right now
and from there find small
sweet
and real pathways to slightly improving
what was thought to be stuck

slightly improving
is as big as the sun compared
to bad and heading toward worse

so huge
and
so small

kind of like
the small and huge
little jump
into the
now

good

Monday, August 09, 2010

The Elusive Obvious



In his grand and glorious
book
The Elusive Obvious
our man Moshe
is prattling on about babies,
and he finds
himself
saying something he has said
over and over and over



and he is disgusted to catch
himself repeating one of
his favs
like a robot

" Every time I hear myself say
something by habit as the previous phrase.
I catch myself thinking like a machine,'
albeit maybe a clever one." p. 81


and i can write this
like a robot
too

how to
be in the world of
words
and be
awake

tricky
tricky
tricky

and worth a try
without out it
life is
......
fill in the blank
with some of your old phrases
or let's empty our minds
and see
if anything new
comes
from:

without the awakeness
life
is
........

Thursday, July 29, 2010

Babies as learning heroes, and they ain't in any hurry

FOR THOSE WHO DIDN'T COME TO THE CONFERENCE
AND HAVEN'T DISCOVERED THIS YET,
A
REAL
TREAT

A Feldenkrais Class by Baby Liv from Irene Gutteridge on Vimeo.

Sunday, July 18, 2010

Freedom is the other side of being a child once

The underbelly of the golden rule

Moshe Feldenkrais talks about:
(In The Potent Self)
if you want to train a bear, first you have to make it dependent; and from there talks a great deal about human childhood’s huge amounts of dependence and how that leads to frightened and constrained living, thinking feeling and moving.

And what does that have to do with the price of beans in Peru?

Everything.

We are meant to be happy, I believe, and this could be right or wrong or just nonsense, or a useful lie. Doesn’t matter, I’ll say it again: we are meant to be happy.

Or saying it another way (I’m a Feldie, if I can do, think, say, feel something at least three ways: I’m not free): the underlying current, if nothing is added on is either peaceful or happy.

Or another: if we are unhappy, or in pain, it’s a grand gift of life to us that we are doing something “wrong,” i.e. we could wake up, shift something and have a “better” life.


Okay: so we are meant to be happy. Dependency is a elusive obvious undercurrent to human development.

Where to go from here?

Enjoy your life and when you don’t, look into dependence being at the root of un-enjoyment. Dependence on an idea, or the way we are using and holding ourselves, dependence on others to make us happy.

And so on

If you’re a Feldie, come up with some variations of this understanding for yourself.





See The Potent Self,  by Moshe Feldenkrais, to learn enjoy and change your life.

The Potent Self

Saturday, July 17, 2010

Up and down with a sweet twist to start the day

Awaring of twisting and awaring of lengthening







Stand somewhere pleasant, perhaps in a yard or a park. Feel your feet and ankles and pelvis and spine and legs and arms and rib cage and head. Breathe. Be present to the wonder of being in a human body.

Now, leaning your left hand on your left knee, and bending both knees, easily and with pleasure, bring your right hand down the inside of you left thigh, down towards the ground, and then bring your hand back up again. Go slowly, let your head hang loose, feel and sense your breathing, and feel how this could lengthen and release various areas in you. Feel going down and coming back up equally with pleasure.

Rest in standing. Close your eyes and feel yourself in gravity and life.







Again: left hand on left knee, take your right hand as before, down your left thigh towards the ground and this time as you come back up, keep your right hand going up and to the right, so you spiral a bit to the right as you lift your right hand above your head and to the right. Watch your hand as you do this. Go easily, and slowly.

Let your neck be soft. Go up and down with this a number of times, and after a while, stop at the bottom and gently move your head side to side, with your eyes moving opposite your head. Same at top.

Rest. Then do the other side.

Saturday, July 10, 2010

What to do after the Surgery: Or, New Wine in New or Old Bottles/ Skins?

NEW WINE IN OLD BOTTLES




How to be kind to yourself after a “big shift”

Sometimes Life throws us what could be called a “big shift.” In the Bible Jesus talks about this “big shift” as the creation of ourselves as a new person, as New Wine. And He says, Why put the New Wine in Old Bottles, it will just go to waste that way. Put the New Wine in New Bottles.

The quote from my version of the New Testament, a highly recommended, The Restored New Testament: A New Translation with Commentary, Including the Gnostic Gospels Thomas, Mary, and Judas by Willis Barnstone, goes like this:

“No one pours new wine in old skins,
Since the wine splits the skins,
And both wine and skins are lost.
No, put the new wine in new skins.”

This is hugely applicable today, in the era of so many hip, shoulder, knee replacements. This is the New Wine. Because without a New Bottle, we really are not getting any where near all the benefits and improvements we could.

We had the shoulder or hip or knee surgery because we weren’t using ourselves in an ease-ful and pleasurable and efficiently masterful way. Basically, we were using our body as a neglected step-child, not really paying attention to our dis-ease and pain until they became intolerable. And truth be told, for people who don’t know about, or know and haven’t tried yet the two methods recommended here, there is often little effective that can be done.

Come to think of it, a chiropractic “adjustment” could be another way to set us up as New Wine.

And after our chiropractic help, we still haven’t addressed the underlying need to organize and sense and move in easy and efficient and pleasurable ways.

So here’s where the Feldenkrais Method, or the Anat Baniel Method come are crucial.

They are the most powerful, and most gentle ways on this planet to create inside of ourselves a new organization, a New Bottle for the New Wine of post operation, or post chiropractic. (Post alcohol, and post dis-ease, too, and during cancer and depression, and that’s a longer story, but thing of this: if we improve ease and comfort and breathing and pleasure in life, how much will that help our Whole Life.)

Almost invariably, people who have had one knee or hip replacement, need the next, and it is almost always from not having created a new organization from the one that created the stress and dis-ease and harm that necessitated the first operation.

Does that mean after two knee operations, or the second hip operation you should do FM or ABM? Only if you want to have a low level of ease, comfort, awareness and functioning for the rest of your life.

Don't worry, also from the Bible, but that doesn't mean "do nothing," it means: put your energy into love and improvement and into making the world a better place, and stop fretting. See, if you'd please, yesterday's posting: Don't Worry, Be Happy

Good.

Friday, July 09, 2010

thinking as action, life as options

This is a post from slowsonoma.com, the ongoing blog,
and
it is about the power of the method of Feldenkrais
in that
one: it uses thinking as an action we are doing
two: it plays with options to habitual action
three: it creates a new context (walking) for the ongoing "worry/ thinking" wasting of our lives
four: it creates a demand, taking 3 walks a day, that shuffles up our own habit of just doing what we always do

good





Don’t worry, be happy

In the Bible, Jesus urges people to think of the lilies of the field, urges people not to worry, counsels: Who by worrying has added an hour to their life.

And Mehr Baba said the famous: don’t worry, be happy.


And, easier said than done, though I’d venture that a vast percentage of drug and alcohol and over eating is based on trying to get the worrying to go away. Which means: it’s not easy.

Good. Something to learn.

Here’s the ticket: take a walk today, three times. That will spring you from the rushed schedule you think you have to maintain.

And on that walk, look at what is present, and listen to what is present and feel your feet on the Earth.

And notice: when does thinking as worrying creep in. When it does:

One: say hello.

Two: shift the words to a sort of gibberish that conveys the tone but not the particulars.

Three: See if a no thinking/ no word option is briefly available.

Four: one all three walks compare: empty, worded, gibberish. Enjoy.



Tuesday, July 06, 2010

Be not good, if you can stand it




In this moment,
we are neither right
nor wrong

We just are

This can be a wonder
and
a relief,
to just
be
in this moment

Because the experience
we are having
right
now
is life
and us
experiencing life

any add
on
is from the word world
telling us:
this is the "right"
thing to do,
or this is the "next" thing to do
(or feel, or think)

The voices telling
us what to do

What if we don't listen
and follow
our present based experience?


And if a lesson,
giving
taking
inventing,
experiencing,
we are interested in
the variety of ways we
can do it
"wrong"

Because if one way is
"right"
then everything else is "wrong"
and there are hundreds,
millions of
"wrong" ways,
all of which
might be leading to a better
way,
or an easier way,
or
a more pleasurable way.

This applies to movement lessons
and
almost anything
else

Good.

Saturday, July 03, 2010

Head pelvis, two ends of a beautiful stick, and where is awareness in all this?




Pelvis, head, spine, eyes

Sit in a chair, and do whatever you “naturally” do. Lean back, or not, sit forward in the chair or not. From that position, see if you can sense your head and pelvis and spine, and begin to do these two motions:

One: bring your nose toward your pubic bone (sex area) and tilt your pelvis (pubic bone/ any other name) toward your nose, and let your belly come in and your back round out behind you.

Two: unfurl from this, and bring your nose up, maybe toward the sky or the top of the wall or window in front of you, and push your belly out and arch your back and tilt the back of your pelvis, aka your rear end, toward the back of your head.

Go back and forth on with these two end points, looking for an easier and more interesting and pleasant way to do this movement each time you do it.

Rest after six or eight or ten or twelve times.

Then come to a sitting at the front edge of your chair, and do the round and arching, slowly and pleasantly a number of times, while moving your eyes, slowly and as continuously as you can, in the opposite way as your nose (up when nose down, down when nose up).

Rest and consider eyes and head and arching and rounding all day.

Wednesday, June 30, 2010

Doing it right, vs. Doing it better




To "do it right" puts the pressure on,
don't you think?

Either we've got it, or we don't.

Sometimes when people do the movement lessons,
at first they pay attention,
and figure out what the new configuration of action
is,
and then,
once they "get it,"
they just go into automatic and "crank it out."

And I tell them:
hey, you've figured it out,
you all get an A plus,
now how can you slow and discover
something new and pleasurable and interesing
and a connection
you didn't know about before.

So: it isn't getting it right,
it's creating a pattern and then using that pattern
to be present
and to slow and learn
and to increase pleasure and ease
and discover connections we didn't realize before.

So: instead of "doing it right,"
we play in the movement with
"doing it better" in the sense of ease
and
pleasure
and
discovery
and
connection
and
efficiency in the sense of less effort
and
reversibility
and
using of the whole self

And,
this can be applied to learning music:
doing it right
or finding all sorts of delightful ways
of a process of ongoing improvement.

This can be applied to
learning golf, or tennis:
"doing it right" means
once you've reached "right"
you don't get to improve anymore.

You're stuck.

This is the human delimma:
to stay at good, or stuck in trying to go for good,
or to be at ease and pleasure and curiosity
in the ongoing discovery of ways to
improve.

Good.

Tuesday, June 29, 2010

thinking without words, eyes and head, oldie but goodie


Creating a garden bed by 'sheet mulching"

Not the usual type of “thinking”

What often passes as “thinking” is the spilling over of words in our head, the “chatter” as some call it, “monkey mind” others say, the “yap, yap.” Another way to put it, is “auditory hallucinations.”

Thinking can be very different than this sort of inner talking.

So far, each day, with a noticing of differences, we have been using our brains for real thinking. Today, we’ll notice some more differences, and get more clarity about and feel for thinking without words.

Turn your head easily right four or five times, and then left four or five times. Can you notice a difference one way and the other?

Now turn just to the left with your head, but keep your eyes focused on something in front of you. Notice a difference in how you turn, and in your neck. Go very slowly.

Rest after seven or eight times, and then turn to the left with your eyes and nose together and feel what you feel.

Now turn your nose to the left and back to the center a number of times while turning your eyes in the opposite direction. Go very slowly and clearly notice eyes and neck and breathing and spine. Rest. Turn both left and right in the “normal” way and notice what you notice.

Spend today awaring eyes and neck and right left differences. See what difference rotating your ribs might make. Go slowly, rest a lot, learn.



Friday, June 25, 2010

Everyday awaring, every day awaring



We have a spine.


This is good. And how often are we aware of this amazing piece of our architecture?


Think about the two ends to this flexible stick of ours: the head at the top, up high to see things and hear better, and at the base the pelvis, rooted in our legs, with Seitz bones on which to sit. Either way, standing or sitting, the pelvis is there, here now, at the bottom of 24 vertebrae, holding up our head by giving the base to our back.


The back is a collection of muscles and ribs and our spine.


Can we play today with noticing whether our spine is more in the rounding position, or the arching?


Can we feel the shape of our spine, and feel how it is holding up the head. In sitting, is the push from pelvis up through the spine, or is a back of a chair propping up part of our back, so the weight is somewhat down into our pelvis, and somehow down and back into the chair?


No right or wrong. Just notice: spine more as if stomach in, or spine more as if stomach out? Spine somewhat upright, way upright, curled in, or arched deeply?


This is a big part of being human, the pelvis spine head thing. Let’s notice it, sense it, aware it as much as we can enjoy today.

Wednesday, June 23, 2010

Music and Feldenkrais/ Anat Baniel Method


It's like this:

how to teach a rat to get dystonia:
have it do the same thing over and over and over again.
Zap, there goes the old nervous system,
twang comes to stiffness, pain, restriction,
probably nature's way of curtailing
insane self-usage.

And hey,
what do musicians do:
the same thing over and over and over again
It's called practice.

And what if the practice,
where
the practice of staying present
and seeing how much ease
they could create as they "played,"
and how
much
"playing" could be part of their playing.

What little differences
could make a big difference.

Hey, that's what our work is about:
discovering,
teaching,
learning
the little differences that make
a big difference.

I love working with musicians.

They often really thrive on discovery.

What a cool group of people.

I've added a musicians' page to my website,
and on it are links to two great articles
by
two people who are Feldies and musicians,
one of whom was in my training with me.

Check the page and the articles out,
if you wish:

Music and Singing page (almost typed sining page. hmm)

ANOTHER GRAND RESOURCE:
ANAT BANIEL'S BOOK:
MOVE INTO LIFE

Monday, June 14, 2010

a baby lesson sent to a disbelieve: try, notice and ye shall learn


Cactus doesn't have to "learn" to live and move in gravity.
We do.
Good for and God for
us both.



These lessons are about learning almost each minute as we go along. All that is required is being present and attentive to your body and sensations in the moment.

Any time differences are noticed in the present, learning takes place. and when the small learnings are savored, and really enjoyed, and the pleasure of learning and nowing is felt, you change.


and try this:

lie on the floor.
work with the easy arm.
raise the foot on that side so the sole is standing on the floor.
raise the easy arm toward the ceiling.
in a relaxed way, lift the arm a little more toward the ceiling and gently bring the shoulder blade back to the floor.
feel the ribs rotating.
feel the shoulder blade lifting.

put the arm and leg down and feel even that little bit wakens to now and eases that arm.

now, come to the same position:
raise the arm and look to the left a number of times
and then raise the arm and look to the right
go slow enough to feel pleasure in each way.
go slow enough to feel the differences when your head goes one way and the other.

rest and notice the differences, the learning, in this much movement

Now,
put the foot standing and the arm toward the ceiling again
push the foot into the ground/ floor as you lift the arm toward the ceiling
notice, pelvis rotating, ribs rotating, shoulder blade lifting, back arching and ...
do this many times slowly and easily and feel pleasure
and
being present
and
learning about how an arm works with all of you

rest
enjoy
get up and have a good day