More alive: sensing five lines
This is “hard.”
Or not. Who cares? Do we have anything better to do than wake up completely to each moment?
I don’t.
You decide for you.
And if “hard” is still okay, give this a go: sense both arms and both legs.
And then add on your spine.
Try this : five lines in sitting.
1) Sit, not at the back of the chair, feel your five lines: two arms, two legs, spine.
2) Move your pelvis back and forth a bit, and sense the shifting shape of your spine, like this: belly in, weight to back of your pelvis, head and chest a little down and forward; now rocking to the front of your pelvis, belly a little forward, back arched, head upright. Sense your 5 lines in this.
3) Take your left hand at your right thigh, and lean forward and caress your right leg, with your hand going toward the foot, and back up again. Many times. Sense your five lines and other parts while you do this.
4) Rest. And then, take the right hand behind the right knee, and left hand behind your head, and lift your right knee a little and bring your left elbow toward your right knee. Go gently, slowly, easily. Many times. Sensing your five lines.
5) Rest., Now, look to the right and put your left hand behind your head and near or over your left ear. Hold again your right knee with your right hand. Letting your head and spine turn even more to the left, and sensing your five lines as you do this, bring elbow and knee towards each other again.
6) Rest. Now pick you right leg, with your left hand holding your right ankle and right hand holding your right knee. Lift the knee and leg toward your face and let the chest and head come forward, and then back, slowly, sensing your 5 lines. A bit, shift your held leg right and left, again sensing your five lines, minimizing effort and maximizing pleasure and learning.
7) Rest. Do the original movement of left hand down the right leg and see if this is different, all the while sensing your 5 lines.
8) If you want to do the opposite side, 5 lines, all the steps go ahead.
Today’s game: five lines, and feeling how to make bending more interesting and variable for ourselves.
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