Wednesday, November 24, 2010

does this poem, from slowsonoma.com, tell tons about giving a good lesson?

yes. ( and there is more to a lesson than just learning from the I don't know
state,
but it's a start.

and without upgrading action, too, it's not a real lesson)



Austin geology: Southwest Parkway

today's poem
is
stuck
in the usual place
we get stuck, mind, body, thinking, feeling:
the
this needs to be better
this shouldn't be like this
this arm shouldn't...
this relationship shouldn't...
this world shouldn't...

that place

a ripe place,
good poop crap shit
manure
for the compost of:

"IS IT TRUE?"

the good old turn it around question
the good old wake up
to God = Reality = who rules the scene anyway?

as a friend says:
when i argue with God I
lose
but only 100% of the time

and so
the way out of stuck
is always
"right around the corner"
but not "right" as in right vs wrong
that takes too long, too much suffering a lifetime
of agony

but the  right around
like nearby
right around the corner
from our stuckness
from our suffering is
the question:

Is it True?


Tis it true,
tis it true
tis it true,

Is this thought idea belief batch of blah blah in my head
is it reality
or
just
(sigh: once more)
the good old
blah, blah?

And the answer

Is "Nah," and we're free

or, "I don't know"
and we're in the world
of....

well: you look feel sense notice
....

what's it for you,
the "I don't know" world?


when you are in the "I don't know" world
and you don't have the story you "should" know

what's it like?

the verbal answer to that can even
be
"I don't know"
what it's like to be in the "I don't know" world
which is consistent, if nothing
else

and it's more

a lot more

because without the words
and with the question:
What's it like to be in the "I don't know" world:

 what's your experience

what's your experience
now?

la
la

Thursday, November 18, 2010

Cure vs Improvement



I've been exploring this for a long time on this blog,
and here,
in re-reading "The Case of Nora," good old Moshe Feldenkrais lays it on thick,
and with a variation I'd never really articulated,
an understanding of people's preference to be "asleep,"
although he doesn't call it that.

Watch this though:

From Case of Nora, page 51:

Nora wanted or expected cure, not improvement.

"Improvement" is a gradual bettering which has no limit.

"Cure" is a return to the previously enjoyed (practiced) state of activitiy,
which need not have been excellent or even good.

The habitual and familiar we do not question; improvement we grade.

The former is the automatic background for our system; the latter is the
foreground of our awareness.

The two are different dimensions. One is an atavistic sensation;
the other is a learned knowledge that gives us freedom of
choice---
which is the major prerogative of Homo sapiens."


That's the quote.

I've often said it like this:
people plod along at some state like negative 3, but
it feels normal.

Then they get in an accident or some such, and plummet
to negative 6.

They want to be cured, put back to negative three,
rather than slowly getting better, negative 6, negative 5, negative 4,
and on and on, plus one, plus two, plus three, and so on.



Tuesday, November 09, 2010

side to side: head and ribs and pelvis as a sweet happy aware of each other team

Side to side seems easy
and
often people get "confused."

Good. As our buddy Albert E says:
"Show me someone who's never made a mistake
and
I'll show you someone who's never learned anything."

One of the key principles of this work is
to sort of groove
on unknowning
to
relish ambiguity
to get
excited
about the state of :
what is going on?

In that state,
we can be new
and
if we are honest
that's always the characteristic of being "now."

Okay,
side to side.

Sit forward in a chair, both feet on the floor, spine straightish and feeling
as if it is holding up your head.

Lean a tad forward so you could hop up or to the side
easily

Now,  here, more or less on your skeleton,
play with this difference:

Head rotating left and right

Head tilting left and right

In the ROTATION, your nose goes left and right

In the TILTING, your nose stays straight ahead and your eyes tilt
so that when you tilt your head to the left, your right eye goes
up a bit and your left eye goes down.

In all movement lessons, always go "less than your limit."
About 80% at most.
And much less force than you think you need. At cut out
half the force, maybe more.
And go slowly: at least half as slowly as habitual.

And all that slow, and soft and less than limit
is
FOOD FOR YOUR BRAIN.

At habitual speed, force and cranking out to the limit,
no learning is going to take place.
You'll be a great donkey, but
why throw away the greatest anti-entropy organ
in the universe (that we know so far): the human brain.

Your brain.

So: to repeat: slow,  gentle, less than your limit. Always in something
you want to improve. For awhile at least.

Do the titling very slowly and feel / sense what is going
on in your neck
Be really honest if you are rotating your nose and neck, too.

Go back and forth: rotating, and tilting,
so that you can really, slowly and deliciously tell the difference.

2. Good. Rest. Sit upright, eyes closed and feel what a small
amount of aware and soft and learning oriented and not going to the limit
can do to organize your whole system.

3. Now play with your ribs, as such:
take each hand to the ribs on the opposite side,
and sitting upright,
pull your ribs first to the right,
and then to the left.

As per always: slow, gentle, less than limit.
And AWARE.
Notice the shape your spine makes when your ribs go
left and when the go right.
Notice which verterbrae move and how.
Notice any tendency to shift your weight as this happens.

4. Rest and sense yourself.
Notice shifts in breathing, ease, sense of your spine  etc.

5. Combine tilt your head and bringing your ribs right and left,
so that you begin to understand
THE NECK FOR WHAT IT REALLY IS:
YOUR WHOLE SPINE

Huh?

Well: go slow, gentle, aware and less than limit and explore this:
As your head tilts to the left,
pull your ribs gently, slowly, awarely to the right,
so you feel as if the tilting in your neck goes all the way down
your spine making a crescent shape in your whole back.

Go slowly , and at first just do this head tilting to the left (go slowly and gently enough
to catch yourself if you start to rotate the head, and then stop:
just tilt)
as your ribs in the middle are pulled to the right.
Notice that the top ribs and bottom ribs go to the left.

Really explore.
You get an A+ no matter "how you do."
See how delicious you can make this:
tilt your head left to involve you whole torso.

6. Now rest.
I know we haven't tilted right yet. Good.
Notice if the two sides feel difference
and notice any additional sweetness to your whole
self.

7, Now come back to readiness to move,
and IMAGINE tilting your head to the right, while
you pull the middle ribs to the left.
IMAGINE this several times
and then do it ONCE.
Notice in the doing what you skipped in imagination.
Imagine it again.
Do it again.
and once more: imagine, filling in more and more.
Do it once and see what you missed.

8. Rest.

9. Now, hands on ribs, IMAGINE going left and right tilt
with your head as the ribs make your spine into a long
crescent.
Then do this both ways a number of times.
Each time see if you can feel and notice and enjoy
something new.

10. Rest and feel all of you.

11. If you want to stop, this is a nice place to get up and take a walk.
If you want to continue, all good movement needs
to include the pelvis, so come back later, or forge ahead now to
the seat of you.

Notice your pelvis.
Shift your weight to the right "sit bone" and raise your left hip
a little off the chair.
Now shift to the left "sit bone" and raise your right hip
off the chair.
Go slowly.
Do this a number of times just raising the right hip and pressing in the left.
And then a number of times just raising the left hip and pressing down
the right.

12. Rest

13. Now, make the crescent shape of tilt your head
the full spine by practicing, exploring, enjoy this:

tilt your head to the left
pull the middle ribs to the right
(noticing the bottom ribs and top ribs going left)
put your weight on the right side off your pelvis
so your left hip can raise and complete the crescent shape
in your back.

Just do this way a number of times.
Until it is delicious.

14. Rest and feel your breathing and your spine.

15. as above, IMAGINE  doing the tilt to the right:
head tilt to the right
middle ribs to the left,
right side of pelvis up and toward the right ear
left side of the pelvis pressing down.

Now DO IT ONCE and compare to the imagining.
Go back and forth with doing and improving your
imaginary version.

16. Rest.

17. Go tilting of the whole spine both right
and left,
be slow, gentle, less than the limit, aware,
looking for pleasure and learning each time.

18. Rest.

19. If you really want some fun,
go through the whole thing again, at
each step singing some simple song
you love to sing.

20. Feel yourself in sitting. Compare to the beginning.

21. Come forward onto your feet and stand. Shift weight to the
left and right and see if something solid and easy and connected
has occurred in you.
Walk around.

enjoy you day and your life.

I take questions via email ChrisElms@vom.com
and invent these lessons to suit what's bothering
you.

Ciao
Chris

Friday, November 05, 2010

Turning and Learning, Again? Sure, why not.

Waking up in Austin, One  TURNING AND LEARNING, AGAIN, SURE, WHY NOT??
A bit of bio and a sweet turning while sitting opportunity to “wake up” to spine, life, movement…and more.







From October 17, 2009 to October 16, 2010 I lived mainly on an amazing island in the Pacific Northwest by the name of Orcas Island. I will write about it again in April when I go back for the summer.





Now it is fall, turning into winter. I am in Texas and a supposedly magically part of Texas, by the name of Austin. Austin was reputed to be the Berkeley of Texas, and many people said it would be amazing,  and it has been.

Amazing.

I came knowing two people who couldn’t get back to me and stayed three nights with a wonderful couple who didn’t know me but where willing to take a couchsurfing chance on me. This was Bridgette and John. We liked each other and I weeded their garden and gave the Bridgette “lessons” I teach, a form of gentle and awakening body brain movement from the Feldenkrais Method® and the Anat Baniel Method.

She and her husband found me my next stranger with whom to stay and marvelous raconteur and permaculture activist and Texas good old boy if someone who was an MD and PhD and threw them away because of wanting real healing outside of allopathic medicine can be called a “good old boy.”
Anyway. That was Ted. I cleaned Ted’s refrigerator, a more daunting process than you might imagine, and gave him some lessons and he was grateful and pleased and we turned out to be kindred and brotherly friends.

And Ted led me to Sonora, a bright transplanted star from Missouri, who raised four children in Austin and teaches voice and piano out in southwest Austin right next to the Waldorf school (where she sent all her kids). And Sonoma has room to store me for the winter, a teenagers’ house with the teenagers gone and some land we are going to turn into a garden and now I’m ready to stop talking writing about me and let the focus be on you and how you can wake up to your body and ease and pleasure and learning in the moment.



That’s our life. This being in the moment is our life, whether we notice it or not.
Many enjoy noticing it and find freedom and pleasure and ability to love and forgive and be creative and discover the joy of the new when they are present.

We’re all going to die, and each moment is a gift and a miracle, and moving slowly and with attention can wake us to that miracle. And if the movements are designed to pattern and reawaken natural “functions” that make our life full and vital and easy, as the movements are in the Feldenkrais Method and the Anat Baniel Method, then this waking up can be not only a coming to the present, but an upgrading of your whole nervous system so that we feel younger and taller and lighter and more at home in our “bodies” and brains after the little lesson.

And here’s one.
Here’s a game in which you can begin to come back to you.

What a gift.

One: sit at ease at the forward edge of your chair. Feel your arms and legs and spine and pelvis and ribs and head. Sense yourself. Sense your breathing. Be aware of being alive. Be aware of being aware.

Two: turn your head to the right and to the left, slowly and easily and less than the limit Go for pleasure and learning and awareness. “Range of motion” is a strange and awful trap. Don’t fall for it. Slow into the delicious present of each time you move being brand new. Notice differences in turning right and turning left. Notice differences as you slow and ease into paying more clear and curious attention. Notice the moment.
Notice being alive.
Rest. Feel what slow and attentive movement can do for your mind and body.
It is good.

Three: turn your head, in sitting more or less upright, just to the left and back to the middle. Several times. Each time slowly and with pleasure and learning.
Rest.

Four: put your hands each under the opposite arm pit, so you feel your ribs. Now slowly turn to the left and back to the center. Sometimes just turn “the head.” Sometimes pull the ribs to the left so that your torso and head are a team.
Go slowly. Gently. Pleasurably. With learning.
Notice your spine in all its 24 vertebrae glory.
Notice the difference in “just head,” and head neck and torso and ribs as team.
Rest. In the middle. Eyes closed. Sensing the all of you experience: head spine arms legs pelvis ribs feet hands breathing.

Five. Take the hands the same way as above and rotate your ribs to the left, not to the gosh darned “limit,” but over there comfortably, and leave your ribs and torso and sternum facing that way.
Now like this, rotate slowly your head back toward the center, and then a little to the left of where your chest is pointing.
The usual: slow, gentle, pleasure, learning.
Come back to the center and rest.

Six: Take your head and eyes to the left and let them rest comfortably there. And now, hands on opposite side ribs as before, rotate your ribs to the left and back to the center, keeping your head to the left.
Slow, gentle, pleasure, each time new and a learning.
Rest in the center.

Seven. Tilt side to side as you sit, so that your weight is sometimes on your right “sit bone” and sometimes on your left. Enjoy this. Think of the “sit bones” as the two feet on which you stand when you sit.
Enjoy this.
Slow, gentle, etc.
Rest.

Eight: Tilt to the left sit bone and stay there , and with your weight over there, begin to bring your right knee forward, by pushing your right hip forward. Go gentle. If you don’t get it, just imagine something, anything. But go slowly, and keep your right foot on the ground, and slowly push your right knee a little bit forward and then back and then forward again so you feel your hips rotating to the left.
Go really slowly. Go really gently. Don’t demand you “get it” if you don’t. Find the pleasure. Find the learning.
FIND THE PLEASURE. FIND THE LEARNING.
Rest.

Nine: Take your hands to the opposite arm pits and rotate the torso to the left and when there, tilt to the left sit bone and bring the right knee forward, and stay rotated in both hip and torso, and now bring your eyes left and right while your head stays pointing where it’s pointing. Many times. Slow and easy.
Rest.

Ten: sit in ease and awareness. Turn your head to the left with maybe knowing your ribs can help, maybe knowing your pelvis can help, maybe knowing your eyes can help.
Take lots of time to enjoy this.
Take a mini rest.
Turn both right and left and notice the difference.
Rest.

Eleven: stand up and walk around and see if somehow life isn’t lighter and brighter and more clear and happy and easy for you.



Good.

Monday, November 01, 2010

the newness of learning aka transformation

Color boats on Barton Creek, in Austin, TX



This system
this work
is based on  learning.

Learning means realizing
a difference
that makes a difference.

That's a nice thing to know.

People come to us practitioners,
and they have aches, and pains:

Our job is not to undo the ache, and pain,
but to provide an umbrella of upgrading
that allows them to function in a way
that makes the pain
irrelevant

That can mean a whole
re-organization
of themselves

Which is to say:
becoming a new person.

Scary, in a way,
and
not "whole new person,"
just new, in functioning with more connection,
ease, awareness and pleasure.

Which is new?

And what are humans about?
Lots of us
want to change
as long as we don't have to change.

Oh, well.

Something's got to shift
and in the world
of
story
and
words
and
what if
and
worry,
that change seems riddiculous or scary or impossible

In the present
we don't even notice
we are new

we just are


And boy:
doesn't sitting around in groups
that talk
about how profound they are
because they done made these shifts
in the past:  BORING.

and to be present:
free,
free fall,
not what we expected
new

delicious
and with a flavor we
didn't
even know
existed

the flavor:
our real selves


And does that have anything to do with
learning
and being
present to moving
with more ease, grace, skill and pleasure?

Yes.

Saturday, October 16, 2010

crazy happy wonderful




this morning I'm off to Austin
to set up a winter practice
in the Anat Baniel Method
and the
Feldenkrais Method

I've reached 200 days of training with Anat post
Feldenkrais training and I'd recommend her
to any practitioner who really wants to dive in
and upgrade their own inner connections
and their
skills

in Austin I plan to work with special needs children
high performing musicians
those recovering from brain injury
and any one "getting up there" in age
who wants to feel happier in mind, body and soul

also,
I look forward to those who want to be happier
in soil

good food is
such a treat
in this short and endless (if present, or
at least timeless)
life

if you know someone in Austin
I'd like to met,
or vice versa,
let me know

email link:
chriselms@vom.com

Thursday, September 30, 2010

the importance of love

what does love have to do with this work?



well: love takes people where
they are

and,
sometimes,
see the magnificence they can become

that's what our work
is about

and the way there:

we are present
and we feel what we feel right now
and we know various routes to "better"

many of these routes can be understood in Anat's
9 essentials

many can be felt in our memory of how
we moved when we move
well

some can be sensed in the person,
as we feel what better
and easier
and clearer
and "new"
might be for them

good

Wednesday, September 01, 2010

why what we do is "easy" once you get it



one: evolution took 4 million years to wire in intelligence of a spine that works well when it talks to the feet and the ribs and the head and the pelvis. we just help people re-find that.

two: if anyone slows down and senses themselves they will come closer to who they really are

three: in movement we are linking up to life. we are alive. moving is fun.

four: learning is fun. we are working with learning

five: we don't have to "do it right." we just have to open up people to "easy," or "better," or "interesting"

six:
you pick

Thursday, August 26, 2010

12 Principles of Permaculture: Creating the New in a Way that Lasts

How do these work for us in the Feldenkrais Work?

Quite well, I think:



Twelve Principle of Permaculture:

1)     OBSERVE AND INTERACT :  Beauty is in the eye of the beholder
2)     CATCH & STORE ENERGY: Make hay while the sun shines
3)      OBTAIN A YIELD: You can’t work on an empty stomach
4)     APPLY SELF-REGULATION & ACCEPT FEEDBACK: The sins of the fathers are visited unto the seventh generation
5)     USE & VALUE RENEWABLE RESOURCES & SERVICES: Let nature take its course
6)     PRODUCE NO WASTE: A stitch in time saves nine. Waste not, want not.
7)     DESIGN FROM PATTERN TO DETAIL: Can’t see the wood for the trees.
8)     INTEGRATE RATHER THAN SEGREGATE: Many hands make light work.
9)     USE SMALL & SLOW SOLUTIONS: The bigger they are, the harder they fall. Slow and steady wins the race.
10)  USE & VALUE DIVERSITY: Don’t put all your eggs into one basket.
11)  USE EDGES & VALUE THE MARGINAL:  Don’t think you are on the right path just because it is a well-beaten path.
12)  CREATIVELY USE & RESPOND TO CHANGE:  Vision is not seeing things as they are, but as they will be.

Thursday, August 19, 2010

How to be Happy, part twenty two

(Two men, John and Chris, on the Earth, above Sonoma Calif, playing with rocks even though they aren't kids anymore, or maybe they are, in part of their hearts/ souls/ bodies)

Once upon a time I read a book
just because the title was so obnoxious
I had to prove to my smart ass self
how ridiculous and assholish the author had
to be.

Not, for the first time in my life,
I was wrong, way wrong.

The book, and title were:
How to Argue & Win Every Time: At Home, At Work, In Court, Everywhere, Everyday

Looks like this:


Buy it if you want:

Here's what I remember:

The guys was cool, won a zillion good guy cases
for the environment,
or even taking on "unpopular" causes like Imelia Marcos.

And his methods were two that stood out:

One: when he wanted to center and clear his mind
and discover what he really needed to know
and
say,
he'd go out in
Nature,
take off his shoes, circle around
on the Earth
and let the truth
or insight come to him.

Two: when talking to the jury,
he used honesty,
as in:
"I'm really nervous, because I really want to win
this case for my client,
and I think this is really important,
and I'm afraid I won't give a good enough argument."

Or something like that.


And then,
he had a bit of sweet wisdom toward the end:

in an argument with someone you love:
Lose the Darned Argument.

Let her/ him be right.

Hey: wise up folks, remember the beaten down look on
your so-called "loved one's" face when you won
an argument.

Is that love: getting them that horrible look
and feeling?

Ans:
No.

So, hey:

dance in nature

speak truth

look at your loved one when arguing and think, feel and know:
what do I / we really want.

Good luck
Good love
Good Earth


Chris

Tuesday, August 17, 2010

Rolling to sit, some "advanced" practicing, for practioners who practice and learners who learn



Rolling to Sit: A graduate course

You can lie on your back and feel what this is all about: two shoulder blades on the floor, the back of your pelvis on the floor, the backs of your legs on the floor, some part of your arms resting down, down, gravity holding your self secure and calm.

How does your breathing go here?

What do you see in front of you?

What is the direction that seems “forward” to your pelvis and torso?

Ah, good.


Now, imagine this: you are sitting. You have somehow come to sitting from this lying on your back position. What direction does your head face now and at what are you looking? How is your torso facing and what is the position of your pelvis? Imagine this pelvis connection to the floor a bit more thoroughly: what parts press down, what parts are up from the floor, where does “forward” seem to be for the pelvis?

How is the spine connecting your head and pelvis in this imaginary sitting position?

Good.

There are a number of ways to get from on your back to your sitting position and this essay won’t go into them, but will suggest that a thorough and slow and almost endlessly delightful study in transitional possibilities from the lying down pelvis and head to the sitting pelvis and head is rich, rich, rich with learning delights.


And hey, another thought experiment: lie on your belly, and feel what is forward now, where are your eyes and nose pointed, what are your legs up and down to, where is your spine, how about your arms?

In this lying down position, it’s possible to come to sitting without using the arms, but why not be fully human and let the game be played as we would as a baby? So your arms are in what’s called “push up” position, and your head can come up and look at the world from any almost vertical axis and now the game: how to get to sitting from here?

Three games really: how to get to sitting look the same way with your head?

How to get to sitting looking to one side or the other?

How to get to sitting looking the way of “down,” the way your feet are presently pointed.

This can take a lot of slow thinking and experimenting and discovering.

All efforts with awareness in any of life are rewarded, and efforts such as this to discover transitional and functional movements like these can be highly rewarding.
Try ‘em and find out.



Now, for some rolling to sit that is a little like what can be found in the Alexander Yanai series, and a lot like what anyone who pays attention can discover who is willing to feel how gravity and their four limbs and the spine pelvis head thing cooperate.

We’ll start like this:

Rest propped up on your back, with your legs wide and easy, and your elbows holding up the top half of your torso and head in a vertical position. This is to say, you are half upright in head and chest, and the lower half of your back is on the floor.
Feel how the elbows holding you this way has all sorts of possibilities for a person/ child discovering all sorts of things about crawling, but for now, just shift a bit side to side and feel how one elbow and then the other supports most of the top half of you, including your head.

Have a little fun with this, and drop your torso a bit as you come through the middle, and come back up more as you shift your weight from one elbow to the other, always keeping your head vertical.

Then rest.

Come back to this propped position, and come with your weight more fully to your right elbow (we’ll cater to the world of right handers/ left footers for starts), coming enough to the right so that you can feel weight shift to the right side of your pelvis. And then come back.

Now do a kind of fun thing, where you shift your weight in a bit of an arc to the right and forward, so the head goes in an arc, and the weight on the pelvis shifts as if on a clock from 12 to 1 to 2 to 3 to 4 to 5 to 6 o’clock.

At six o’clock your weight could be forward enough so that you were sitting. (the right hand coming in handy somewhere along the way).

Play around with this. (Technical term: “fart around” with this.). Let the head arc to the right and then forward, and the pelvis rotate the same way and feel the legs provide the ballast as it were for this shift forward and up of the head and spine.

Notice the weight when your are sitting, and then coming back to the reclining position, notice the reverse shift in your pelvis and head.

Rest.


Now, maybe you recall an Alexander Yanai, when, on your back you scissors your legs one way to come more on your belly and the other way to coming to sitting over your elbow. Maybe you don’t. Either way is fine.

But, again, playing right elbowed/ left legged, from the reclining position, raise your left leg and bring it to the right over your right leg, and in this scissored position, roll the head and pelvis as before as you take the left leg back to the left, and see how sweetly and easily this goes.
Play/ “fart around” with this. Imagine, if you are a practitioner, guiding this movement either from behind the neck, or with the “free” arm, or with the “free” arm and the swinging leg. Realize how going slowly enough could teach a lot to ribs and sternum and head and chest and pelvis and weight shifting and gravity connecting and all that good stuff.

And rest.


Now, you are on your back, a baby, and you lift your left leg and fling it to the right. You roll mainly to your right side, but since you aren’t in a Feldenkrais lesson with your arms starting above your head, you trap your lower right arm under you.

Darn. This is annoying.
But, you feel a toy over there on the right side where your left foot is, and your head wants to come to it, and you swing your head that way, and your left leg swings back over to the left to counter-balance and get out of the way, and your left hand reaches down there for the toy and you have rolled up to sit through your elbow on the right side.
Yes, yes, the bending of the knees ways are “easier” in the world of rolling up to sit, and keeping the head even lower to the floor has a lot of amazing learning. Still, though, in the above you can sort of roll your head along the floor toward the toe near where the left foot landed over on the right there.

Isn’t this fun?

I hope so.

The Elusive Obvious: We can transform, or What is the Feldenkrais Method® all about?



THE FELDENKRAIS WORK
Moshe Feldenkrais lived from 1904 to 1984. He was born into a Hasidic Jewish family in what is now Poland and died in Israel. When he was fourteen, in 1924, he walked, on his own, from his hometown in Poland to Palestine and began his life as a laborer. By the time he died he had achieved a doctor of science in physics from the Sorbonne, had worked as both an engineer and a physicist in France and Israel, had become fluent in four or five languages, had been trained as the Western person to first bring judo from Japan to Europe by the top Japanese judo master, and had invented a system of mental/physical improvement that has helped thousands around the world.

This system, the Feldenkrais Method®, has been useful in enabling children with cerebral palsy to walk for the first time without crutches, for enabling people who have had a stroke to regain use of both sides, for radically increasing the rate of improvement of people recovering from accidents. It also has helped highly skilled musicians like Yo Yo Ma and Yehudi Menuhin, and star athletes like Dr. J, formerly of the Philadelphia 76ers. In between it has been of great use to those feeling the various aches and pains of growing older, or those with sore backs, shoulders, hips and knees, and then also people wishing to add more ease to walking, skiing, dancing, golfing and so on.

So what is the core of this system that can be useful to people at so many levels of physical ability? The core is our innate human ability to learn, and the vast reservoir of forgotten and untapped connections in our brain that have to do with efficient and clear movement in our whole organism. This method is about re-learning and deepening our learning of such relationships as right hip to left shoulder, relationship of toes to spine, relationship of breathing to bending forward and arching back, and the hundreds of other relationships that go into walking or skiing and pushing a wheelbarrow.

One way to understand this is to examine the stimulus for Dr. Feldenkrais’ invention of this system. Knees. It was his knees, deep in trouble for repeated soccer injuries. For all his intellectual skills, he couldn’t stay away from judo, soccer and other activities. He once said that exercise was for lazy people, because if you lived a full and vital life, your zest for living would take you dancing or gardening or all the many fun things we can do, and that would keep you as in shape.

Anyway, his knees were a wreck and this was back before fancy surgery, at the end of the forties, I think, and the doctors told him an operation would yield a 50/50 chance of improving or crippling him. He thought this was the same as flipping a coin and opted to figure it out himself. Immersed in anatomy, physiology, movement systems existing, learning theory of the time, he put full attention of his own knees and what small movements there could reveal. What he discovered not only cured himself, but began to be useful to his acquaintances, and then, as it developed, to wider and wider groups of people.

What did he discover? The title of one of his few books is The Elusive Obvious. All his discoveries where of this nature. Movement in the knee must involve the ankle and the hip. Movement in the ankle must involve the foot and the toes. Movement in the hip must involve the pelvis, and that the spine and that the ribs and that the neck and that the eyes. And all of it, the brain, with its patterns and habits of neck and ribs and spine and pelvis, all having limiting effects on the knees moving in a free and natural way.

Also elusively obvious: as creatures out of the womb, our connection to gravity and to breathing shapes everything we do. Also elusively obvious, especially to anyone who has studied marital arts, the pelvis as near the center of our movement, and central to our balance, and the eyes as the key to our orientation as we go about moving. From his pediatrician wife, he may have tuned in on the amazing journey an infant takes from being able to suck and turn the head, to being able to walk as a toddler. Each of those stages was full of movement that had to be efficient because the baby didn’t have a lot of extra muscle to fling around the body in off kilter ways.

Core elusively obvious: LIFE IS MOVEMENT. THE BRAIN ORGANIZES MOVEMENT. OUR BRAIN THINKS / LEARNS ORGANIZES IN FUNCTION. Bringing food to our mouth, the function of hand to mouth is deep, deep, and can be used and understood, and retrained (say after a stroke, or in retraining a wrecked/ injured/ surgically repaired shoulder) without any regard to muscles, range of motion, relaxing or not relaxing. Functional movement is how we walk, talk, eat, make love, chop wood, play golf, dance. Functional movement is where the most bang per buck can be gotten in relearning how to move with more Ease, Skill and

Basically, this is the Feldenkrais method, the use of our attention to discover more of ourselves, how we relate from one part of our marvelous organism to another, what are our habits and what can be possible if we begin to break free of those habits. Learning who we are, and more important, how we are, and how we could be if we had more options in our movement repertoire.

Enough theory. Feldenkrais work is nothing if not concrete. Let’s start with our left leg, from toes and foot to knee to pelvis to back to neck and shoulder.

Wait. That sounds like a lot more than the left leg doesn’t it?

Oh, well: good old elusively obvious again: the leg is part of us, and we are a whole. The is the major difference between the Feldenkrais Method and various treat a troubled body as if it were a broken car systems, i.e. Western medicine, chiropractic, deep tissue massage and whatnot.


Okay, blah, blah on the theory, to hell with the theory: lie on your back on the ground or the grass and notice this: how does this change and calm your nervous system right off the bat.

Learning is what?

Another elusive obvious: millions of teachers out there that thinking that teaching is telling someone something or demonstrating something.

Not really: teaching is creating conditions so that THE LEARNER LEARNS.

And what is learning?

Ah, all those millions of teachers who think learning is when the student “gets it,” which means: can copy them.

Wrong.

Learning is when the student notices, wakes up to, is changed by noticing a difference INSIDE THEM, IN THE PRESENT, that makes a difference.

And when this difference is noticed: LEARNING IS INSTANTANEOUS.


Okay, back to your back on ground or the floor. WHAT IS THE DIFFERENCE BETWEEN YOUR FEELING OF YOU-NESS IN THE UPRIGHT STATE AND THIS STATE OF LETTING GO FROM THE WORLD OF GRAVITY AND LYING ON THE GROUND?


Okay, learning is happening.

Now please bring your right foot toward your read end, and a little to the outside and stand it up so the sole of your right foot is on the ground, as if you were walking. This is called, even in lying down, “standing the foot.”

Great, stand the left foot and notice what changes in you. If you don’t notice anything, great, slowly, slowly, put the left leg long and bring the foot slowly to stand and see if you can stand to understand and feel and sense any difference.

This is fun.

Don’t worry about “doing it right.” Just pay attention to your experience.

And what is the best advice to any meditator? Pay attention to your experience in the present.

And the best advice to an athlete or a musician wishing to improve? Well, it’s more: create some intelligent variation and pay attention to your experience.

So let’s do that. We are all athletes and musicians, at least the kid in us was (or wanted to be), and we are returning to what kids do best: learn (by playing around).


Okay, left foot standing, and push, easily, slowly, gently the foot into the ground, and feel the transfer of force through your ankle, and your knee and your hip joint (where is the hip joint, anyway), on up to your back and spine and vertebrae and ribs and shoulders. Which shoulder feels this the most? Which way does the spine rotate?

Then “undo” this movement, bring the raised side of your pelvis down, letting go of pushing in the left foot, and become calm and empty with your left foot standing before you slowly and with curiosity do this again. And again. And again.

Each time: make it different than the last time.

Each time: look for more pleasure, for less effort, for letting go of strain, for discovering parts of you and connections you never realized before.

Each time, treat the “undoing” as a real and worthy movement, well worth being awake and attentive and joyful in of itself. Make sure to come to complete ease before each repetition. And stop after six or eight or ten and rest for awhile before doing the whole thing again.

Keep one side of your pelvis on the ground, and let the other lift and rotate.

Try these two out to discover maximum ease and pleasure: tighten your belly, clench your jay and stiffen your chest as you lift and rotate whatever side of the pelvis is lifting and rotating.

Now, soften your stomach and letting it come out a bit, and feel your back muscles working and allow your chest and jaw to be soft as you do this movement. Which allows more ease and pleasure of movement?

So: do this a bunch, take rests, do it some more and then slide your left leg down and rest fully. Rest to let your nervous system relax.

Rest to let the experience reform in your mind.

Rest to notice the difference in how your left and right sides feel, and what that might mean about learning taking place.


Now,. Bring your left foot to standing again, and play around with slowly doing this movement, with the left foot in slightly different spots. See if you can find what feels “best” for you right now, as far as being able to push down straight into the floor, as if you were walking or something like that.

Once you’ve found where you like you left foot, begin to play this game: for three times as you do this movement, let your head slowly turn to the right as the same rate your pelvis is rotating, and come back to the middle as your pelvis comes back.

And then for three times, let your head turn to the left and back as your pelvis rotates and your back arches and you come back to starting.

Back and forth, three times of each for awhile and then another rest.


And now: one last thing, for the starters: Do all the above, and notice the ribs, and play with your eyes.

Eyes and ribs.

And foot and hip and back and pelvis and neck.

It’s a lot. ( A real human being is a lot; that’s why we like children so much: they haven’t been squeezed down to be so much less than what they really are like most adults.)

Notice your ribs and as your head is turning to the right, slowly, slowly turn your eyes to the left. Just a little. Go slow. If you “can’t” do this, make everything smaller and slower and keep playing.

Playing around. It’s not important to get it. It’s fun to experiment, to play around, to try new stuff.

Eyes to the left as your head goes to the right, eyes to the right as your head goes to the left, the pelvis is rotating, the foot is pushing, the ribs are doing some stuff, you are breathing and noticing a lot and having fun, I hope.

If not, rest.

Go slower.

Make less effort.

Notice your experience.

Smile.

Play with this. See what you get.

Rest;.


That’s learning. If you got in over your head, that’s real learning: if you only do what we can already do, how can we change. If we try too hard, we just learn to try too hard.

But farting around, playing, exploring, somehow this, in the world of the elusive obvious, is the fastest way to real change.

Really?

Find out for yourself. If it comes from inside you, then it’s real learning. As if it’s the best and most real food.

YUM.

Monday, August 16, 2010

head and pelvis, without a real lesson, except the wake up lesson




the head is heavy
life is long
the pelvis is big
life is juicy

what more is there
to
say?
lots
but first:
sense the stick
the rod
the magic wand
the wee wee wonka
betrix and between

how long
which way
how could it be longer
stronger
happier
freer?
?
?

let is sway
let it play
have a waking up
day

yes

Thursday, August 12, 2010

head down to rise up from the floor... really? who knows: try it and find out

 (This picture is something that would be good to eat. It may or may not-- probably not, knowing me-- have anything to do with the below, but pics of doing the thing would take all the fun out, wouldn't they?)

What if we had this puzzle:
how to most easily get up from the floor?

Okay, we like puzzles:
here we go
(After all Moshe our man said that the overcoming of difficulties is one of the great pleasure in life)
(( In The Potent Self a potent dense book well worth a bunch of reads or jump in and read a bit here a bit there reads))

Let's say the lesson could evolve like this:
stand and look down at the floor
hmm
what about hands on it, too

okay, that's not so bad

now play a little the usual ways, one hand up, one foot
now play advanced: lift one hand (which did ya pick), and then what foot matches
ah, that's kinda fun

now pick the nicest hand foot pair and think about, plan, imagine the butt down on the floor
somehow
figure a way or two
do 'em, breathe down there
see how far you have come

and wouldn't it be fun to try again?
sure
so we need to get up to standing to go down again
might as well reverse whatever we did

somehow in the reversing and spiralling,
if that's what we like
a hanging head and a lifty butt might
be interesting
yeah, that's the ticket, the good old head butt, head pelvis combo
how do they twirl,
counterbalance each other and so on

hey, this could lead to something like sitting
cross legged and noticing which leg is in front
and put the opposite hand back
and then...
more discovering, it would seem
in the spiralling  head down butt up
world

Tuesday, August 10, 2010

Not knowing what we are doing next



In this moment
we can experience exactly this:
what we are experiencing right now

it sounds so silly
and
yet
think of all the misery we get into wanting
to be better happier richer sexier more loved
instead of getting
happy
or
at least getting reality
from what is going on right now

what's that got to do with Feldenkrais?

hey: it's the one system, well there are probably many more,
but it is one system
where we put out attention on sensing ourselves
and another right now
and from there find small
sweet
and real pathways to slightly improving
what was thought to be stuck

slightly improving
is as big as the sun compared
to bad and heading toward worse

so huge
and
so small

kind of like
the small and huge
little jump
into the
now

good

Monday, August 09, 2010

The Elusive Obvious



In his grand and glorious
book
The Elusive Obvious
our man Moshe
is prattling on about babies,
and he finds
himself
saying something he has said
over and over and over



and he is disgusted to catch
himself repeating one of
his favs
like a robot

" Every time I hear myself say
something by habit as the previous phrase.
I catch myself thinking like a machine,'
albeit maybe a clever one." p. 81


and i can write this
like a robot
too

how to
be in the world of
words
and be
awake

tricky
tricky
tricky

and worth a try
without out it
life is
......
fill in the blank
with some of your old phrases
or let's empty our minds
and see
if anything new
comes
from:

without the awakeness
life
is
........

Thursday, July 29, 2010

Babies as learning heroes, and they ain't in any hurry

FOR THOSE WHO DIDN'T COME TO THE CONFERENCE
AND HAVEN'T DISCOVERED THIS YET,
A
REAL
TREAT

A Feldenkrais Class by Baby Liv from Irene Gutteridge on Vimeo.

Sunday, July 18, 2010

Freedom is the other side of being a child once

The underbelly of the golden rule

Moshe Feldenkrais talks about:
(In The Potent Self)
if you want to train a bear, first you have to make it dependent; and from there talks a great deal about human childhood’s huge amounts of dependence and how that leads to frightened and constrained living, thinking feeling and moving.

And what does that have to do with the price of beans in Peru?

Everything.

We are meant to be happy, I believe, and this could be right or wrong or just nonsense, or a useful lie. Doesn’t matter, I’ll say it again: we are meant to be happy.

Or saying it another way (I’m a Feldie, if I can do, think, say, feel something at least three ways: I’m not free): the underlying current, if nothing is added on is either peaceful or happy.

Or another: if we are unhappy, or in pain, it’s a grand gift of life to us that we are doing something “wrong,” i.e. we could wake up, shift something and have a “better” life.


Okay: so we are meant to be happy. Dependency is a elusive obvious undercurrent to human development.

Where to go from here?

Enjoy your life and when you don’t, look into dependence being at the root of un-enjoyment. Dependence on an idea, or the way we are using and holding ourselves, dependence on others to make us happy.

And so on

If you’re a Feldie, come up with some variations of this understanding for yourself.





See The Potent Self,  by Moshe Feldenkrais, to learn enjoy and change your life.

The Potent Self

Saturday, July 17, 2010

Up and down with a sweet twist to start the day

Awaring of twisting and awaring of lengthening







Stand somewhere pleasant, perhaps in a yard or a park. Feel your feet and ankles and pelvis and spine and legs and arms and rib cage and head. Breathe. Be present to the wonder of being in a human body.

Now, leaning your left hand on your left knee, and bending both knees, easily and with pleasure, bring your right hand down the inside of you left thigh, down towards the ground, and then bring your hand back up again. Go slowly, let your head hang loose, feel and sense your breathing, and feel how this could lengthen and release various areas in you. Feel going down and coming back up equally with pleasure.

Rest in standing. Close your eyes and feel yourself in gravity and life.







Again: left hand on left knee, take your right hand as before, down your left thigh towards the ground and this time as you come back up, keep your right hand going up and to the right, so you spiral a bit to the right as you lift your right hand above your head and to the right. Watch your hand as you do this. Go easily, and slowly.

Let your neck be soft. Go up and down with this a number of times, and after a while, stop at the bottom and gently move your head side to side, with your eyes moving opposite your head. Same at top.

Rest. Then do the other side.

Saturday, July 10, 2010

What to do after the Surgery: Or, New Wine in New or Old Bottles/ Skins?

NEW WINE IN OLD BOTTLES




How to be kind to yourself after a “big shift”

Sometimes Life throws us what could be called a “big shift.” In the Bible Jesus talks about this “big shift” as the creation of ourselves as a new person, as New Wine. And He says, Why put the New Wine in Old Bottles, it will just go to waste that way. Put the New Wine in New Bottles.

The quote from my version of the New Testament, a highly recommended, The Restored New Testament: A New Translation with Commentary, Including the Gnostic Gospels Thomas, Mary, and Judas by Willis Barnstone, goes like this:

“No one pours new wine in old skins,
Since the wine splits the skins,
And both wine and skins are lost.
No, put the new wine in new skins.”

This is hugely applicable today, in the era of so many hip, shoulder, knee replacements. This is the New Wine. Because without a New Bottle, we really are not getting any where near all the benefits and improvements we could.

We had the shoulder or hip or knee surgery because we weren’t using ourselves in an ease-ful and pleasurable and efficiently masterful way. Basically, we were using our body as a neglected step-child, not really paying attention to our dis-ease and pain until they became intolerable. And truth be told, for people who don’t know about, or know and haven’t tried yet the two methods recommended here, there is often little effective that can be done.

Come to think of it, a chiropractic “adjustment” could be another way to set us up as New Wine.

And after our chiropractic help, we still haven’t addressed the underlying need to organize and sense and move in easy and efficient and pleasurable ways.

So here’s where the Feldenkrais Method, or the Anat Baniel Method come are crucial.

They are the most powerful, and most gentle ways on this planet to create inside of ourselves a new organization, a New Bottle for the New Wine of post operation, or post chiropractic. (Post alcohol, and post dis-ease, too, and during cancer and depression, and that’s a longer story, but thing of this: if we improve ease and comfort and breathing and pleasure in life, how much will that help our Whole Life.)

Almost invariably, people who have had one knee or hip replacement, need the next, and it is almost always from not having created a new organization from the one that created the stress and dis-ease and harm that necessitated the first operation.

Does that mean after two knee operations, or the second hip operation you should do FM or ABM? Only if you want to have a low level of ease, comfort, awareness and functioning for the rest of your life.

Don't worry, also from the Bible, but that doesn't mean "do nothing," it means: put your energy into love and improvement and into making the world a better place, and stop fretting. See, if you'd please, yesterday's posting: Don't Worry, Be Happy

Good.

Friday, July 09, 2010

thinking as action, life as options

This is a post from slowsonoma.com, the ongoing blog,
and
it is about the power of the method of Feldenkrais
in that
one: it uses thinking as an action we are doing
two: it plays with options to habitual action
three: it creates a new context (walking) for the ongoing "worry/ thinking" wasting of our lives
four: it creates a demand, taking 3 walks a day, that shuffles up our own habit of just doing what we always do

good





Don’t worry, be happy

In the Bible, Jesus urges people to think of the lilies of the field, urges people not to worry, counsels: Who by worrying has added an hour to their life.

And Mehr Baba said the famous: don’t worry, be happy.


And, easier said than done, though I’d venture that a vast percentage of drug and alcohol and over eating is based on trying to get the worrying to go away. Which means: it’s not easy.

Good. Something to learn.

Here’s the ticket: take a walk today, three times. That will spring you from the rushed schedule you think you have to maintain.

And on that walk, look at what is present, and listen to what is present and feel your feet on the Earth.

And notice: when does thinking as worrying creep in. When it does:

One: say hello.

Two: shift the words to a sort of gibberish that conveys the tone but not the particulars.

Three: See if a no thinking/ no word option is briefly available.

Four: one all three walks compare: empty, worded, gibberish. Enjoy.



Tuesday, July 06, 2010

Be not good, if you can stand it




In this moment,
we are neither right
nor wrong

We just are

This can be a wonder
and
a relief,
to just
be
in this moment

Because the experience
we are having
right
now
is life
and us
experiencing life

any add
on
is from the word world
telling us:
this is the "right"
thing to do,
or this is the "next" thing to do
(or feel, or think)

The voices telling
us what to do

What if we don't listen
and follow
our present based experience?


And if a lesson,
giving
taking
inventing,
experiencing,
we are interested in
the variety of ways we
can do it
"wrong"

Because if one way is
"right"
then everything else is "wrong"
and there are hundreds,
millions of
"wrong" ways,
all of which
might be leading to a better
way,
or an easier way,
or
a more pleasurable way.

This applies to movement lessons
and
almost anything
else

Good.

Saturday, July 03, 2010

Head pelvis, two ends of a beautiful stick, and where is awareness in all this?




Pelvis, head, spine, eyes

Sit in a chair, and do whatever you “naturally” do. Lean back, or not, sit forward in the chair or not. From that position, see if you can sense your head and pelvis and spine, and begin to do these two motions:

One: bring your nose toward your pubic bone (sex area) and tilt your pelvis (pubic bone/ any other name) toward your nose, and let your belly come in and your back round out behind you.

Two: unfurl from this, and bring your nose up, maybe toward the sky or the top of the wall or window in front of you, and push your belly out and arch your back and tilt the back of your pelvis, aka your rear end, toward the back of your head.

Go back and forth on with these two end points, looking for an easier and more interesting and pleasant way to do this movement each time you do it.

Rest after six or eight or ten or twelve times.

Then come to a sitting at the front edge of your chair, and do the round and arching, slowly and pleasantly a number of times, while moving your eyes, slowly and as continuously as you can, in the opposite way as your nose (up when nose down, down when nose up).

Rest and consider eyes and head and arching and rounding all day.