Saturday, March 21, 2009

Strength out of gyms and into Life


check the links before,
people knowing how fitness
can be built in real ways,

all that's missing is working with
pick
axe
shovel
hoe
scythe
sledge hammer
wrecking bar
and other fun stuff:

real work, too for real strength

Here's the links:

Man in Nature, swim run jump happy fitness

another man in woods, getting cool and strong

And one more link
the article in Men's Health
(a really weird/ interesting sociological/ psychological document)
that started it all off:

Fitness in the Wild


Ciao,
Chris

Wednesday, March 18, 2009

flexible hearts


non grudge holder


a few weeks back
I did one of those things I
do every once in a while

which is to say,
I send out some communication,
this time an email,
this presents me in the "I am right" mode
which as always,
has the unfortunate, "you are wrong" mode
tagging along

so,
I made a mistake.
I realized it.

I felt bad.
I apologized.

And the other side didn't
go
for anything but
unforgiveness.

So:
that's their business.

Wasn't so terrible what I
did,
just a bit insensitive,
and now they want to hang
on
hang
on.

Well
that's their life.


If I go into "I'm right, they're wrong"
they should forgive,
I'm right back where I started.

But, one thing,
that I've come to realize,
is that any areas in my life,
where I'm holding onto a grudge
or a demand
that the other person
'shape up'/ change/ see things my way
and so on
is a place of
mental and emotional inflexibility
that I have to/ get to work on.

And, as in our bodies, so
in our minds and hearts,
when we go past (when I go past)
the inflexible to the flexible....
it/ I feel so much better.


Good.





Making the inflexible flexible
Making the flexible varied
Making the varied delightful







Monday, March 16, 2009

Special Needs Children and Learning Challenges

Update from a posting of October 17, 2006:

garden


Sometimes children need help in their learning.

They may have been born with a neurological issue,
such as cerebral palsy or a stroke, or brachial plexus.
There can be complications in utero or at birth.
Hospital procedures can go awry.
All sorts of traumas can occur.

For these neurological issues,
as well as children with "ordinary" learning challenges
(as in reading and math and social adjustment and co-ordination)
the FELDENKRAIS METHOD,
(invented by Israeli physicist, judo master and child development expert, Moshe Feldenkrais, 1904-1984)
and even more especially the method as refined
in the Anat Baniel Method for Children,
(see Overview, Anat Baniel Method for Children)
is the supreme way on this Earth of helping these children.


This is because in these methods,
we recreate the natural pathways of learning
and wake up the brain to its possibilities of
change and learning and improvement
in a way that no amount of physical therapy or surgery ever can do.



Think of a child learning to crawl.
She or he sees no one crawling,
gets no crawling lessons,
isn't pressured to learn,
doesn't even think about learning to crawl.
He or she just moves this way and that
and learns hundreds of ways to understand
and move
and sense
and coordinate themselves.

A huge amount of learning
involves pushing down
and raising this and that
part of themselves against
the ongoing pull of
GRAVITY.

And then one day,
wanting to get across the room
or yard
easier,
the child "miraculously" pulls together the twenty things
they need
and crawl.

This is organic learning.

This is learning based on function.

This is learning where the brain, the body,
discovery, intention, and action all
merge to create an
upgraded human being.


This is why this method is so amazingly effective.



For a summary
and continued explanation
see Amazing One on One Lessons




You might be excited to
experience the amazing videos
of ANAT BANIEL
working with three children.
Watching the progress of these
three children over a period of time
you can see the almost miraculous changes.
Try this:
  • Grace, Isabel and Carter Transform and Heal.






  • This work, for a child with learning difficulties,
    is the fresh drink they have been desperate for all their lives.
    They are not pushed, or prodded, or force to "do it right."
    They are not "fixed," or moved in ungentle ways.


    They are given small pieces of real and immediately felt learning
    (inner and organic "learning,"
    not the imposed kind that gives "learning" a bad sound to many children, and adults)
    and they begin to renew and change almost before our eyes.


    For lessons,
    rates,
    a free initial phone consultation,
    contact
    Chris Elms
    at 707-721-6835



    Friday, March 13, 2009

    gravity, learning, dance, life, fun, yes



    in the feldie
    work
    the better we understand
    our relationship
    to gravity

    the better we can function

    this cat
    has mastered
    a four legged way
    of relating to gravity:

    fun

    and here's someone who learned
    it as art
    not necessity,

    note the differences

    Tuesday, March 03, 2009

    The Feldenkrais Method®



    right now,
    for those of us who are practitioners
    and can stand it,
    on
    feldyforum,
    there is a ridiculous
    tempest in a teacup
    battle raging:

    Is there a Feldenkrais Method?
    Is there anything that Feldenkrais practitioners
    find in common?
    Are we burdened with the name Feldenkrais,
    or given an anchor that keeps us on track?

    And so on.

    first off,
    third question:
    I love describing the method
    as coming from someone
    way good at judo
    a real discover and experiment scientist
    a physicist interesting in the engineering miracle of the human body
    a student of learning fascinated with how babies organically learn so much
    so fast

    The three PhD bigshots
    who never ask questions
    and always answer have weighed in:
    nah, no method,
    no common set of practices.

    La, la.

    So be it.
    Their opinion and two bucks will get them
    a bus ride across town.
    My opinion and two bucks with get
    me
    a bus ride across town.

    And, here's a kicker:
    if you really want to remember what the
    Feldenkrais Method is,
    delve into the
    Anat Baniel Method.

    A book is coming out soon;
    MOVE INTO LIFE,
    by Anat Baniel,
    making very clear
    the
    nine essentials of
    vitality and learning:
    1. movement with attention
    2. slow ( the brain can't learn new if it's going at normal speed)
    3. turn on the learning switch
    4. subtlety
    5. flexible relationship to goals
    6. variation
    7. imagination and dreams
    8. enthusiasm
    9. awareness

    we could also posit these as fundamentals of the Feldenkrais Method:

    we are two legged beings
    we live in gravity
    we were engineered for maximum mobility
    we have a rib cage that gets in the way of things
    we have small feet with many toes
    we have a pelvis around which big muscles have most power
    we have a spine composed of many vertebrae,
    this spine holds up our head and shoulders and arms
    good use of the spine seems pretty useful

    learning based on function
    has a lot more bang per buck
    that learning based on structure
    or this is right
    or how to use the muscles

    learning based on action
    in the real world
    leads to a better life in the real world

    almost anything can be learned
    better
    if broken down into smaller chunks
    and
    even better if this chunks shake
    up established patterns
    and orientations

    reversible motion is good motion
    motion that comes from or increases our lengthen is a good thing

    doing things one or two ways is stucks-ville

    real learning is fun

    sensing ourselves
    --brings us into reality
    --creates conditions for amazing change
    --gives us back the real world underneath all the words


    more could be said,
    but that word statement kind
    of gives me the stop now
    idea

    ciao
    chris

    Wednesday, February 18, 2009

    Dancers, Musicians, Actors: a fine opportunity in Tucson this week

    DANCERS: dance better.
    MUSICIANS: play better.
    ACTORS: use your voice and body more easily.
    peacock
    Hello:
    My name is Chris Elms and I am in Tuscon this week,
    until the 25th of February.
    This I realize is a short time
    and
    I am curious what if anything I can contribute to any of the
    faculty or students in the dance, music and theater departments in that time

    My work
    which I call Neurological Upgrading,
    is from the Feldenkrais® Method (http://feldenkrais.com),
    of which I am a practitioner after a 4 year training,
    and the
    Anat Baniel Method,
    in which I have taken the Mastery Training to work with
    High Performers. (http://anatbanielmethod.com).

    This work, by using our brain,
    literally creatine new neurological pathways,
    can help improvement at all levels:
    • injuries become irrelevant to heightened and easeful movement
    • chronic stuck points become the leaping off point for expansion of
    movement, awareness and thinking capabilities
    • high performers, Olympic athletes, world class musicians,
    gain that extra ten percent that put them to the next
    level, whatever
    that might be for them.

    I can give demonstrations of the brain/ body/ learning
    connection to groups.

    The most rapid upgrading,
    however is in individual lessons,
    which are slow, gentle,
    hands on,
    with the client fully clothed, lying or
    sitting on a low and firm table,
    and discovering inside connections
    and ease
    that she/ he might not have known
    since they were a child.

    Or maybe never.

    Please fill free to call or email.
    Soon.

    With enough interested clients
    I would be happy to schedule regular
    two or three week visits to Tucson,
    as the lessons are most powerful in 6 or more
    per two week concentrations,
    since the brain,
    though it loves to learn,
    also love to slip back to the way
    it has always done things.

    A concentrated group of lessons
    allows the change to integrate and become the
    new you.

    Thanks for reading and considering this.

    P.S. The starting picture, on my business card,
    is something I learned to do recently, at 63 year old.
    Not by huffing and puffing and "trying harder"
    but by applying the go slow, learn faster principles
    of this work.






    Saturday, February 14, 2009

    why not be happy?

    heidi's house
    a house in Tucson
    my temporary abode



    why not be happy?

    other people
    are like this:

    they like us
    they don't like us
    they are too busy to care one way or another

    and:

    why not be happy?

    we are tired
    we are perky
    we are up
    we are down

    and:

    why not be happy?

    without the story

    breathing

    looking out into the sweet world:
    what else is there

    but this current
    of delight

    in being alive?????





    Wednesday, February 11, 2009

    learning and the sweetness of life


    learning is one thing
    that can always make a life
    head toward an even better life

    and if it is real learning
    it is always sweet

    real learning comes from
    our own discovery
    our own exploration
    our own putting together of
    new
    new ingredients
    new ideas
    new ways of going about the
    ingredients
    and the ideas

    that's the sweetness of
    reall learning

    not crammed down your throat

    "learn what I (the Big One, the Teacher, the Boss)
    want you to learn"

    kind of learning

    we've all had
    enough
    enough
    enough

    of that




    Wednesday, February 04, 2009

    new Wednesday life is good

    in a new place, Berkeley
    full of bookstores
    and coffee shops
    and people on bicycles
    and
    new sights
    and sounds


    new impressions
    feed the mind

    new ways of moving
    feed the brain

    new ways of moving
    when we actually know
    what we are doing

    as in
    have our awareness right
    here
    with the two arms
    and two legs
    and one spine
    and
    large
    large
    field
    of possibilities

    .....

    you know that

    if we just take anything we
    do a lot
    and discover two or three optional
    ways
    of doing
    and experiencing
    and sequencing
    and tempo making
    and being
    it differently

    then
    we begin to unshackle ourselves
    from the bondage

    Wednesday, January 28, 2009

    Something like a resumé


    Neurological Upgrading Lessons ,

    by Chris Elms, M.A.



    Improve:

    • EASE in your own body



    • BALANCE and coordination



    •OVERCOMING LIMITATIONS, Special Needs children, Stroke, Accident recovery



    • IMPROVING SKILLS AND ABILITIES such as yoga, sports, problem solving, delight in learning, enjoyment of life, patience, self love



    • INCREASE PLEASURE in being Who you Are



    • ENHANCE YOUR LIFE and your pleasure of being in the Present





    Training and background:



    M.A. Psychology, Lone Mountain College

    B.A., Humanities, Stanford



    Trainings in Gestalt therapy, Ericksonian hypnosis, Permaculture Design, The Work of Byron Katie, The Feldenkrais Method®, and the Anat Baniel Method.



    Trainings in Gestalt therapy, Ericksonian hypnosis, family therapy, Permaculture Design, The Work of Byron Katie, Ananda Yoga, The Feldenkrais Method®, and the Anat Baniel Method.

    15 years as Designer/ Builder, and Designer/ Landscaper.
    Designed and spearheaded the creation of the 5 acre: Sonoma Garden Park, in Sonoma, California.

    12 year student of Tai Chi. Developer of Essential/ 4 Brain Tai Chi.

    8 year student of yoga (started in my fifties). Certified Yoga Instructor. Developer of Essential/ 4 Brain Yoga.


    Designed and spearheaded the creation of the 5 acre: Sonoma Garden Park, in Sonoma, California.



    Feldenkrais Method: Completed four year training in 2005, and am now a certified practitioner.



    Anat Baniel: Completed Mastery Training for working with

    Special Needs Children in 2006

    Completed Mastery Training for working with Vitality and Anti-Aging, 2008

    Completed Mastery Training, High Performers, 2008

    Completed 10 of 10 segments of the Basic Training, 2009.




    30 minute lessons.

    Single lesson: $60-120.


    12 lessons in one month
    money back guarantee
    $400-800.


    Contact:

    Email Me

    or call

    707-721-6835

    Availability in Tucson, Arizona: Feb 10-25

    Availability in Atlanta, Georgia: February 26- March 26

    Availability in Arcata, California (north in Humbolt county): April 15- May 14

    Availability in Orcas Island, Washington: May 15- June 15



    Hours: 11 AM, 11:45 AM, 12:30 PM

    3 PM, 3:45 PM, 4:30 PM, 5;15 PM



    Highly beneficial to have lessons on two, three, four or five consecutive days.



    Website possibilities:

    Almost Enlightenment An 108 page, 108 activity E-book to improve moving, emotional well being, thinking and “soul”

    SlowSonoma.com poems and thoughts on living an awakened, happy and useful life

    Wake Up Feldenkrais

    (Especially: Neurological Upgrading Lessons )

    Travel Heal Do this Work Blog





    707-721-6835
    19262 Carriger Road, Sonoma, Ca. 95476
    after Feb. 9:
    2749 E. 4th ST., Tucson, AZ 85716
    after FEb. 26:
    3088 Marne Dr., Atlanta, GA 30305


    Tuesday, January 27, 2009

    Why I became a Feldie

    when i was in my mid thirties
    i was happily engaged in a career that allowed
    me to use my body and my brain
    and my creativity
    and be outside
    and add super bonus,
    if I was really ON that day,
    meditate in the present
    as I worked.

    I did landscape,
    design
    and installation.

    It was fun,
    it was challenging,
    I loved being outside
    and working real work
    and see real results and beauty.


    And sometimes I'd do too much.
    And since I was in the Bay Area,
    I already knew about these classes where
    you rolled around on the floor,
    well, not always rolling,
    but always moving in a bunch of easy
    and engaging and interesting ways.

    And after these classes,
    I'd always feel a huge amount better.


    They were called Feldenkrais classes,
    for the man, Moshe Feldenkrais,
    who invented them.

    And sometimes, in my thirties and
    forties,
    I'd go to these classes, not from being wrecked
    and in pain and wanting to get out,
    but from the pure joy and
    ease
    and happiness at being a live
    human
    in an aware body.

    I felt good after these classes.


    I remember being in awe of the teacher
    after one class and thinking:
    one group of people gets worm out and tight
    as they work
    and another group
    gets paid to help these people out of that.

    But, it wasn't for me.
    Or so it seemed.

    I always told other people: go see a Feldenkrais person,
    go to a Feldenkrais class
    when they'd complain about back pain
    or shoulder pain.
    I knew how easy it could be dissolved.


    Then in my fifties,
    I took up yoga,
    almost on a whim
    (someone asked if I wanted to go to a class.
    I said yes.).
    And wasn't very good at it.
    But feel in love
    with a yoga teacher and
    had a sweet eight years
    from that.

    One day, the yoga teacher and
    I heard about an invitation to do
    a weekend of this "Feldenkrais" stuff.

    What the heck.
    I'd been telling so many other people
    to "try" it, maybe time for me
    to give it another fling.

    So we went.
    Three movement adventures,
    called Awareness Through Movement
    lessons,
    each day.
    Three lessons a day instead of
    one a week.
    For two days.

    I felt like I was ten years old again.
    I couldn't believe the waking up
    and shift
    and ease
    and plain old fashioned giddy happiness
    I felt in my body.

    Wow.

    And the leader
    "just happened"
    for have a training program
    coming up in a couple of months.
    (a four year training,
    seeming always like "too much"
    until I'd had this
    ten year old feeling).

    I couldn't wait to join.
    Now I could become one of the ones
    who helped
    the others out of the tension and pain
    and tightness of working too hard,
    too fast, too.....

    I didn't know what.


    I just knew,
    I wanted to feel this good all the time.

    And
    I wanted to be part of the solution.





    Wednesday, January 21, 2009

    travel, heal, learn, love, contribute

    boat

    i've got a new
    mini blog
    that tells of my adventure;

    on the road
    month at a time in
    various sweet spots of the world

    living with family of:
    special needs child
    stroke or accident or surgery recovered
    someone wishing to way upgrade an already high performance


    or

    living with other Feldenkrais
    or
    Anat Baniel people

    mutually upgrading
    getting more clients
    have sweet learning fun
    upgrading love
    and being
    here
    now

    and gardens,
    two

    here's the other blog:

    Travel Learn Love Heal

    contact me
    if this could be great for you

    Wednesday, January 14, 2009

    why move with awaeness and learning?

    suk party
    Why move with awareness and learning?

    I started to write: why the Feldenkrais work
    why the Anat Baniel.

    Decided instead to write: why move with awareness
    and learning?

    Because to be present
    is to be happy
    or to be very close to the possibility of ongoing happiness.

    Because to move with attention requires us to be preesent.

    Because to move with learning requires us to do
    something besides what we always do.

    Because life is a lot of fun when we learn.

    Because there is a lot of suffering in the world,
    some from greed and structural injustices,
    and lots in the have too much world
    comes from being stuck in a life
    that seems like life,
    but is really a lot closer to being a robot.

    Say it again:
    to move with attention and awareness and learning:

    wakes us up to being alive
    gives us a grand chance at ongoing happiness
    will create conditions under which we can be
    useful

    useful
    to ourselves
    the Earth
    and each other

    and here's an anat baniel class
    where one can
    systematically do
    this kind of delightful
    learning
    anat baniel class

    good




    P.S.
    An online ebook
    is now finished.
    First 12 pages =
    12 activities/ meditations/ learning games
    is free if you email
    and ask.

    Check out
    Almost Enlightenment

    if you wish.

    Thursday, January 08, 2009

    "tucking the pelvis under"

    rain stuff
    "tucking the tailbone under"

    in Tai Chi

    in Yoga

    in whatever

    lots of people
    recommend this

    I don't

    unless you are coiling into
    to expand/ punch/ push
    outward afterward


    Friday, December 19, 2008

    Who am I? Who are we all?

    we have someone come into our lives.

    they are very important.

    this is because they give us a chance
    to realize
    how we are an experiencing
    awaring being

    they are a person
    for whom we can give
    this gift:

    our awaring
    our listening
    our looking

    maybe,
    within the feldie
    premise:
    our touch

    our touch
    to guide them
    into their unfolding into "more"
    of who they could be

    what does that mean?

    The less we are sure
    and the more we are curious,
    the better.


    Wednesday, December 17, 2008

    Sitting twisting

    try this

    sit at the front edge of a chair , bench, rock or log

    put one elbow near a knee,
    and with the hand of that arm,
    cup the side of your face

    put the other hand behind your head,
    elbow toward the sky

    do two games:

    pelvis in circles


    up elbow in circles


    let these circles talk to each other


    Wednesday, December 10, 2008

    standing, head, eyes, self, Self

    from a 108 chapter book
    on how to be happier
    in 4 levels:
    moving and learning,
    emotional learning
    thinking
    soul

    this a moving and learning chapter,
    (all short)

    FORTY-FIVE: MOVING AND LEARNING

    Tapping the heels revisited at a higher level.

    Stand, preferably outdoors, maybe even in mild sun coming toward your eyes.

    Tap, tap on your heels at least thirty times. (This given earlier: rise on toes, easily drop back down on your heels.)
    See if this is different than when you began all this learning.

    Rest.

    Tap, tap now again at least another thirty, and do this: slowly move your head to the right and left (many taps to get to the right, many taps to get to the left), and as your head is slowly rotating, have your eyes, not fast, but much faster than your head, be going to the right and left.

    Notice if you do what we all tend to do: jerk the eyes from one side to the other.

    See if you can make their movement, though faster than the head, slow enough to be a smooth and continuous movement.

    Rest.

    Try this again.

    Rest.

    Try this again.

    Rest. For “extra credit/ fun,” you might want to try:

    Do this again, adding on slowly lifting the arms forward and a bit out to the sides with the use of your lower back, and lowering them.


    Saturday, December 06, 2008

    What are feelings? What is thinking? The prison of conditioning.

    I'm in the midst of a, to me, amazing, project
    and have not much time to devote to this
    and
    this is so huge
    that I wanted to get some
    starting ideas/ understandings out
    there
    and see what they might stimulate.

    What are feelings? What is thinking?
    The prison of our conditioning.

    1. Very few pure E-motions out there.

    a.The mother bear, dog, person, skunk
    perceives a threat to her young,
    inner mobilization flashes up,
    something like anger,
    she goes into action to repel the threat

    b. We are the one she is chasing.
    Fear could be the name
    for our inner mobilization
    and getting the hell out of there.

    2. Most, so called "feelings"
    are far, far more murky,
    often no action, just some tendency
    to action,
    a combination of inner sensations
    and a bunch of words in our heads.
    (the first two, "pure" emotions,
    where pretty word free).

    That our feelings combine sensations,
    often unpleasant in ways we don't directly
    pay attention to
    and a "story" which we often obsess
    over offers many
    ways out of feeling traps,
    and I won't go into these now.

    3. THE FROWN EXAMPLE

    SOMEONE, OUR LOVER, MATE, FRIEND
    WALKS INTO THE ROOM
    WITH A FROWN ON THEIR FACE

    We have some internal reaction,
    or not,
    but the story possibilities are huge.

    a. We tell ourselves the "they are angry" story.

    From here, we can go off with the "they are always
    getting angry" story, go into a being angry at them
    story.

    We can go into the "they are angry and I'd better watch
    out" fear kind of story.

    We can go into a "they are angry and I'd better attack
    before attacked" story.

    We can go into a "this is so hard always putting up
    with this story."

    And more.

    b. We can tell ourselves a "they are sad" story.

    And "feel sorry" for them, wonder what we can do.

    A "feel burdened" story, as we "always have to take
    care of them.

    An "angry" story: "Why don't they get it together
    and stop bring that sadness around."

    A sad story, "they are right, I forgot, but now
    I remember how hard life is."

    Another sad story: "they are thinking about our troubles,
    and now I feel bad, too."

    A weary story: Oh dear, prop up time.

    And so on.

    Cheerful even: "Oh, goody, fixing them time."

    c. We could have more neutral responses:

    Curious: what's up.

    Concerned without baggage: is something bothering you, can I help.

    Amused: you are so cute when you frown.

    Loving: I love all your shades and colors. This frown thing
    is just one more wonderful aspect.


    d. Feelings and reality:

    the frown might have been, from their point
    of view: anger or sadness

    then again in might have been a stomach ache,
    or worry about their work,
    or an experiment in facial muscles

    4. Thinking is what?

    Are any collection of words in our head
    "thinking"

    Moshe has some interesting things to say about thinking:

    As in, most people never have real thinking.

    Most thinking is just mental masturbation.

    Looking at the reactions to the frown,
    and say it was just stomach gas,
    we can see that the mental abilities
    weren't put to very good use.

    What would real thinking be?

    5. So:
    What is feeling?
    What is thinking?

    A lot of unclarity,
    and oh yeah,
    this bit to add to the stew

    to place "feelings" as nouns:

    I am angry
    I have sadness

    rather than verbs:

    I am angry-ing
    I am sad-ing

    turns them into something therapists can
    live off of for years,
    but cut us off from the sort of
    dynamic change and experimentation
    that this work opens up for us.

    6. Back to:
    What are feelings?
    What is thinking?

    The lack of clarity,
    shows for me, how well Moshe was
    "thinking" in his beginning chapters in
    Awareness Through Movement
    about the stuckness of humanity,
    and improving moving being the quickest
    and most clear way
    to get people out of being the same,
    the same as everyone else
    and the same
    as they always have been.

    A longish start,
    but it's been mulling since I
    had the "not enough time to write"
    story..


    Ciao
    Chris


    Saturday, November 29, 2008

    Beginnings of an Answer for Lynette

    Lynette,
    wonderful Lynette
    asked about the Alexander Yanai Lesson #512.

    If you know what these are:
    great.

    If not: they are 550
    lessons Moshe Feldenkrais recorded
    as he gave them on Alexander Yanai Street
    in Tel Aviv, Israel,
    over a period of many years.

    So: here's a start to a rather convoluted
    movement:

    You are lying, on belly,
    left leg long,
    right knee up toward belly on the side,
    right hand down alongside body
    and under right thigh, with palm down,
    left hand standing near the head, elbow up.

    And you bring,
    somehow:
    the right hand up to the head
    region.

    Here's my beginning take on
    this:

    In standing:
    one would be standing on the left leg,
    the right knee would be bent,
    sort of in "tree pose" of yoga,
    right foot on right thigh,
    right hand down near crotch,
    palm facing backwards.

    As if taking a sword from a scabbard
    on your left hip,
    you pull the sword out with your right hand
    come across yourself in the front,
    and end up pointing
    dramatically
    the sword to the sky
    directly above your right shoulder.

    A LESSON THAT IS SOMEHOW RELATED IN MY MIND:
    the upright
    end play with the lesson is this:
    on knees, upright,
    right arm going in circles either backward,
    or forward at your side.

    The lie down version,
    my cutting to what I think is the chase:

    One right side,
    knees bent,
    left hand standing in front of chest,
    right arm hand down in crotch area.

    Play first just with extending
    thighs,
    so knees are straight down from spine,
    as in the standing on knees position above.

    Then use this extented knees/ thighs
    arched back position,
    to bring the right arm
    under the body and in circles
    this way
    and that.

    Obviously it's a big lesson,
    and a hugely valuable one,
    and begins to show how much mileage
    we can get from working on the "downside"
    parts of us,
    those the are often "trapped"
    in babies,
    and in our habits
    are "trapped"
    out of our awareness.

    Okay,
    that'
    s
    just the start.


    Friday, November 28, 2008

    Mysticism, the work of Idries Shah, letter to feldie forum

    When I first read Marty' s Mystical remark,
    I thought of a couple of things,
    and then thought the world could live without those
    thoughts.

    That is probably still an accurate guess,
    but since Jeff's delightful threading in these waters,
    here goes:

    1. The Sufis have a strong and clear teaching about
    avoiding and/or leaving behind mystical experiences,
    for many of the reasons that Jeff mentions,
    and most importantly, that they keep a person back from
    real development.

    Quotes below.

    2. Not too long ago I was receiving a lesson from Marcie
    L., and she asked about the lessons my trainer gave. (Don't guess,
    doesn't matter.)
    I said, they were amazing, though more mystical than anything.
    I didn't mean this as criticism,
    but I certainly didn't think of this as praise, since
    a this sort of "oh wow" experience, at this point in my learning/ growth,
    seems to bring the Functional
    Integration lessons to the level of stimulation
    rather than information.

    3. Idries Shah, burst into the world in the 60's
    gifting the world with all sorts of previously hidden
    or poorly translated Sufi material.

    three main strands:
    a. Amazing stories, that operate at many levels. The best, Tales of the Dervishes, is must reading every five or ten years.


    b. Explanation and overview and opening view into
    the real world of Sufism,
    the best book being, The Sufis.


    c. The teahouse, underground route to Sufism in the humor
    stories (supposedly) of Mullah (not a bad word back then) Nasrudin .
    The Pleasantries of the Incredible Mulla Nasrudin.


    4. Some quotes from the Sufis:

    (page 375, my old edition, in section, Miracles and Magic):
    "This limiting effect of the sense of wonderment
    is the reason why Sufi teachers have spoken against
    indulgence in the ecstatic experience,
    which is only a stage in the development of the Sufi. Lost in awe and wonderment, the Sufi Seeker is halted when he should be going forward
    to the realization beyond.
    The seeking of temporary (or even permanent) mystical
    experience is therefore spoken of as a 'veil.'"

    page 380 : "The Sufi's task is to organize himself
    as to make possible for the meaningful operation of an organ or perception
    and action
    which will have a continuing effect."

    page 381: "Both high magic and ordinary mysticism,
    viewed from this light,
    become for the Sufi merely the struggling on of a partial
    methodology which will simply reproduce its own pattern.
    Unless it evolved far enough to enable it to reproduce more than it inherited,
    unless, in fact,
    there is a genetic amplification of scope and sufficient power
    of reproduction of that scope,
    the whole thing is a creaking anachronism."

    5. The first story in the Sufis,
    called the Islanders,
    read side by side
    with
    Moshe's beginnings in Awareness Through Movement
    about the fate of humanity resting
    in whether we will all be fitted nicely to be like
    everyone else,
    or find the way to become that which we truly could,
    makes amazing tribute
    to the breadth of Moshe's vision,
    and the deal I sometime harp:
    the link of Moshe and Gurdjieff
    and the slight problem of sleeping me, you, us, humanity.


    Ciao,
    Chris Elms

    Wednesday, November 26, 2008

    Sitting to Standing

    One of the great gifts
    of Moshe Feldenkrais

    was his engineer/ physicist

    eye

    looking at our bodies
    moving in the real world

    with real possibilities
    and real
    constants

    the constants of gravity
    and a big head at the top
    of a long spine
    and the big muscles
    around the pelvis

    being a good three
    to start with


    anyway:

    if you are sitting:
    where is your weight
    in this world of gravity?

    On your butt.


    If you are standing:
    where is your weight?

    On your feet.


    So, sitting to standing
    is shifting the weight
    from butt to feet,
    a movement of the center of mass
    of our bodies
    forward.

    So,
    try two ways.

    Sit.
    At front edge of chair.
    Put one hand in your hair.
    Bend forward,
    Pull your head easily, sweetly,
    interestingly,
    forward,
    and down,
    as if looking under the chair,

    until your weight is clearly over your feet.


    Then come to standing.


    Another.
    Put one hand behind your neck,
    with fingers as far down
    your back as possible,
    pointing down.

    Warming up,
    noticing arching and rounding in your back:
    Elbow goes down
    and stomach comes in,
    elbow goes up,
    and stomach comes out.

    Do the warm up
    slow
    easy,
    feel the weight in your pelvis,
    the shape in your spine/ back,
    the in or out
    of your belly.

    Find a place where elbow
    is kind of pointed up and forward.
    belly out,
    the arching shape in your spine,

    and from that

    bring weight forward to
    your feet,
    and see if there's a way
    you can arch
    your back, lift your butt
    at just the right time,

    just a tinsy little bit,
    and raise your pelvis
    ever so slightly,
    like half an inch,
    off the chair.

    Go slowly,
    back and forth from there.

    Take lots of rests
    and feel
    think
    sense
    imagine this through.



    Play with two ways:

    head down,
    and pelvis just barely off chair.

    head upish and forward,
    and pelvis just barely off the chair.


    This is a week's long
    project.

    Don't rush.

    Your patience and curiosity
    will be rewarded.



    Sit,

    Monday, November 24, 2008

    on back, arch, flex, sidebend....learn, learn, learn

    starting position
    Okay: here's some beginnings to an amazing learning.
    These positions
    are just places to come to and away from
    slowly
    with awareness
    and
    learning.

    The more of yourself you can feel,
    all your bones,
    your shape,
    what's happening to belly,
    to spine,
    to breathing,
    to legs and arms.

    Soft face,
    easy neck,
    awareness as you go,
    not just at end points.

    So, above: start with right foot "standing",
    left leg under,
    left hand behind your head.


    arch and twist
    Push very easily on your right foot,
    and push out your belly,
    and arch your back
    and twist the right side of your pelvis to the left.

    Go back and forth,
    many times, between this and the "starting position."

    Feel what happens in your spine,
    your ribs,
    your foot pushing into "ground,"
    your belly coming out as your back arches,
    your spine twisting also.

    Feel, feel, sense, sense, learn, learn.

    Rest after 10-20 times
    of slowly, learning-ly, pleasurably doing this.

    3.
    sidebending too
    Now, with both hands behind head,
    both elbows staying down,
    add a sidebending of your head,
    nose staying pointing to sky or ceiling,
    as you do the movement.

    Feel all the above,
    plus spine making three
    different
    and interesting shapes: arching,
    twisting,
    side bending.

    Again, 10-20 times, each time learning
    a little something more.

    Rest.

    4.
    fingers in toes
    Now, if you can,
    take the fingers of the right hand
    into the toes of the left foot.

    Take your time.

    Go toward the foot
    as you arch and twist, if your hand needs
    some help.

    Maybe "cheat" by lifting yourself a little
    as per next step.

    If you "can't" don't worry.
    Imagine it.

    5.
    flex
    Now, combine doing movement #2, the
    arching and twisting

    with coming back to #1,

    and then folding in like this in
    #5.

    Slow, slow,
    resist the crank out, sittup urge,
    do little,
    do 80% of what you think you can.

    80% of your "limit"
    and 200% of your usual awareness.

    This is great learning.
    Great spine awakening.
    Great awareness awakening.

    Do 10-20.

    Rest.

    Imagine how this would be
    on the other side,
    everything reversed.

    Rest.

    #6
    arm out 45 degrees
    Take your right arm out
    at about 45 degrees from your body.
    Imagine the elbow as a fulcrum for
    rolling up.
    Push the elbow into the ground a number of times.


    #7
    roll over elbow to up
    This is difficult.
    With left elbow behind head, roll over to the right,
    weight over right elbow,
    head kept low,
    left elbow pointing low,
    roll over right elbow until you are in this reclining position.

    We need another picture here,
    of after rolling up,
    bringing the right elbow more
    under your shoulder to hold you up.

    This is to show the people already Feldenkrais
    and Anat Baniel practitioners
    some possibilities.

    For the lay people,
    once you are in this semi reclining position,
    leaning back on the right elbow,
    left hand behind the head,

    you arch and
    fold your back,

    so,
    as below pictured

    #8
    on elbow, other elbow back
    your back arches,
    your elbow comes back,
    your spine twists,
    your belly comes out,
    your spine lengthens.
    And your foot presses down.

    Go slowly from this "limit,"
    again going to 80%
    with 200% awareness,

    to the folding in the next
    picture.


    #9
    on elbow, leaning forward
    Feel the twist,
    and what happens in ribs,
    and all of your spine,
    and your whole shape.

    Go slowly, slowly
    learn, learn,

    aware, aware,

    enjoy,
    enjoy.


    Saturday, November 22, 2008

    loving of moving, tuck in/round, and spring out/ arch


    folding in,
    as in bringing belly in
    tilting pelvis toward chin
    round the back,
    bring arms in



    then, rotate to the front,
    arch back,
    tilt pelvis a little so butt toward head
    (just a little)
    head upright
    spine long
    push through feet and hands
    and Earth




    round,
    breathe in,
    get ready



    breathe out
    push out belly
    push into ground and hands

    brush knee this is called,
    one hand pushes forward
    one by the other knee


    the whole of Tai Chi
    except reverse Monkey
    can be done as a series
    of breathe in, contract, coil, round

    and press up and out
    expand / push/ pounce

    Wednesday, November 19, 2008

    Round and ready, arch and expand: gardening and life

    ready

    shovel in

    loaded

    loaded

    throw






    gardening
    is a sweet chance
    to see
    if all the rolling
    around on the floor,
    and working in chairs
    and this and that

    can translate
    to the "real" world
    of action

    like martial arts,
    a chance to move our big muscles

    unlike martial arts,
    a way to feed ourselves
    and connect to the Earth

    and a series of photos
    hinting at the rounding and breathing in
    and loading to use power

    then arching, pushing, extending
    breathing out
    using power

    a hint of the usefulness
    of doing both sides
    in gardening

    one sided lessons amazing on the floor,
    but "out in the world"
    we tend to get stuck in a pattern

    I like 3 right handed digs
    right foot in, hold shovel nearer
    the end with right hand
    and then three left foot left hand
    forward



    dig left foot

    19, rounding to get

    ready left hand forward

    throwing, left hand nearer

    the change helps
    me not "go to sleep"
    as I enjoy
    moving soil rather than
    fighting to get it done


    Thursday, November 13, 2008

    Five lines of our us, six directions of our spine

    we sit in a chair

    five lines:
    two legs, can we sense them,
    five toes each side, usually
    the calf, the knee, the thigh
    the hip joint

    sense both legs,
    heels, ankles
    both legs all of them


    two arms
    more digits,
    fingers this time
    all of them
    and the hands
    and the wists
    you know the parts,
    all the way to the shoulder socket

    where do these guys fit:
    sense the spine pelvis ribs shoulder blade

    might as well throw
    in awareness of the head
    and the end of the spine

    that's us

    that's a lot


    and sitting:

    on what?

    where are we balanced
    out with gravity?

    and the directions of the spine:

    the earliest
    the fetus:

    1. bending our spine in a C pointing forward
    mid back back
    pelvis rotating forward at bottom part
    sternum down
    head forward

    sort of the slump thing
    and it could be a lengthened
    C forward

    can we do it
    both ways

    2. the easiest for the spine
    wrists behind head
    if we can
    or back of hand to opposite cheek
    and rotate,
    feel the spine shifting
    one vertebrae atop another,
    rotate right

    3. rotate left


    what's left?

    rest



    4. C pointing backwards
    belly forward,
    arching back
    looking up in a lengthening way
    not shortening neck
    butt rotating up toward back of the head
    breathing soft
    rotating to front side of pelvis
    feel us
    getting taller

    rest

    5. wrist again behind head
    or hands interlaced
    now making side facing
    C's

    tilting left first
    not a pizza tower
    but left elbow down
    left hip up
    shortening ribs over there
    and back to center
    C pointing left (open part of C)

    6. open part of C to the right
    right elbow down
    right hip up,
    shortening R side ribs
    lengthening L side,
    feel weight coming all
    to L side of pelvis

    and sitting
    5 lines
    6 spine moves

    this can be a little
    or
    a lot
    of awakening of awareness

    good


    Friday, November 07, 2008

    Awakened Movement

    sukha party

    To move
    is

    fun


    To move
    is

    to be alive


    To move
    is

    to move toward
    or away
    from various things in life


    To move
    is

    a chance
    to dance


    To dance
    is

    a chance
    to express
    our life,
    the joy
    and
    the other stuff


    And what would awakened movement
    be like?

    A chance
    to move dance
    create
    shapes
    and motion
    in ourself
    in a slow
    and aware way

    or even,
    after we've gotten the sense
    and feel of it,
    a fast
    and aware way

    to move so we know
    how we are moving

    and can slop
    reverse
    change directions
    breathe
    smile
    sing
    dance

    while we move



    A nice state,
    a nice practice


    I think
    feel
    sense
    believe

    Then again
    beliefs
    are just
    beliefs


    And experience
    is all
    we can
    really know.


    Sunday, November 02, 2008

    skeleton, halloween, five lines, death, happiness and so on

    on belly over table

    Once we were born
    Someday we die

    long time
    in skeleton-land

    skeleton:

    spine holds up head
    arms off shoulder things

    legs off pelvis thing,
    at hip joints

    if sitting:
    we are sitting on the pelvis thing

    sense that
    now

    enjoy,
    move and
    learn
    and love
    from there:

    grab someone cute
    and have some fun:

    now we are alive

    someday
    we'll be dead

    good

    (for waking up)


    Wednesday, October 29, 2008

    ideas for discovering movement

    sukha dance

    take a position
    any position

    feel, sense, know yourself

    see what you might do
    in movement for
    three different reasons:


    1. to notice parts, places and connections
    that feel grumpy or unknown
    or wanting more love
    and see
    what might move there

    2. think you are a baby/ kid
    and wanted to move
    to a toy
    or food,
    how would be transition
    into action

    3. think you are in combat:
    a.
    and wanted to get out of trouble

    b.
    and wanted to attack

    what would you do

    okay,
    that's
    that?


    Saturday, October 25, 2008

    maximum instability, and what it means to be human

    three roses

    someone on Feldyforum asked
    about how to create maximum instability

    here's my thinking
    if we aim at maximum instability that's useful
    and even poised, for maximum mobility

    take the human body
    raise the center of gravity as high as possible
    and lessen the base:

    thinking like an engineer here we go:
    on toes
    on toes with arms raised
    on toes of one foot with arms raised

    and with props:
    on toes of one foot with arms raised, holding rocks, a long pole, another person
    all the above and on a ball, a slippery surface (ice, watery), a tight rope

    going about to the human max:
    on toes of one foot on a ball on ice holding another person above one

    going beyond the bounds of the human, I think:
    on toes of one foot on a ball on a tight rope holding another person above


    and Moshe has lots to say about this:
    from Body and Mature Behavior, page 96-97 newest edition:

    "In the unstable balance the center of gravity is as high as possible,
    and the potential energy is maximum.
    No supply of energy from any other source
    is necessary to change the position.
    The displacement feeds itself on the stored potential energy.

    When its center of gravity is maintained at the highest position,
    the human body is fit to move
    in any direction
    with practically no expenditure of energy,
    and even this minimum is drawn from its
    potential energy.
    The potential energy is restored
    afterward
    so that all movement starts from this configuration
    of maximum potential energy.

    The standing body is thus ever ready for
    translation (non rotation motion, in footnote)
    movement at short notice. In that respect
    it is more perfect than the body of
    any other animal,
    which may be faster in one particular direction,
    but has not the all-round freedom of movement of
    humans."


    Thursday, October 23, 2008

    weird ideas about "stability"

    viri one with rocks

    I've just had, recently this amazing
    realization about all this "stability"
    stuff

    First, an experiment:
    extend your arm, you pick,
    forward,
    lengthen arm out at hand,
    and at same time
    bring shoulder blade backwards

    viola:
    you have a "stabilized" shoulder

    now, try this:
    bring c7 backward
    and thrust your jaw forward:
    viola:
    you have a "stabilized" neck

    which is to say,
    immobilized

    sooner or later I'll post on
    the non-tragic (via work of Byron Katie)
    separation from a wonderful sweet partner,
    who is a yogi
    and among my faults. her faults, her mother, my mother,
    her this, my that, the usual imperfection not wanting
    to see imperfection
    she
    doesn't like to hear these
    ideas about "core stability"
    which is the same nonsense:

    immobilize a person,
    turn them into a post,
    and call that "stability"

    minor problem:
    humans are designed for maximum instability
    = mobility


    much more on this as we go.


    Wednesday, October 22, 2008

    what's great about yoga, what's limiting

    great:
    people move
    people realize they have a body
    people pay attention to their five lines
    people have some challenges in balance and new "shapes"
    people might be pointed toward spiritual evolution
    people get out of houses, cars, (though usually drive to class, ah, well)
    people see they aren't the only one who could learn and improve
    people move from posture to posture

    this is the most important part
    of a yoga class:
    people move from posture to posture

    and maybe:
    people are pointed to something higher in life

    limiting:
    alignment, balance, and shape fitting are implicitly posited
    as the core to real change in life

    and

    life is not posture, alignment, shape

    life is movement

    how can we combine the two?

    stay tuned for cml #2


    Monday, October 20, 2008

    Chris Movement Lesson #1. arching and chairs and fun

    chair kneeling and back arching

    In the fabulous
    amazing and
    life transforming
    Anat Baniel Method,
    our training group this last days did a number of lessons
    kneeling over a table

    I was curious what using a chair would be like
    and discovered,
    quickly, that the head is not supported
    the way it is when we kneel at the low
    tables especially deigned for the Feldenkrais Method

    chair kneeling and back arching

    However,
    this segment, as they are called
    (nine days, from on Saturday to the following Sunday,
    of various intense learning and upgrading of our nervous system,
    awareness, skill level, and more),
    we also did a ton of work on the head pelvis connection
    especially
    vis a vis the "power center"
    of the strong muscles connected to the pelvis
    and
    especially-2, the muscles of the lower back,
    lifting both arms, head and thighs
    in achieving upright "posture"

    There are
    and we did
    lots of ways to stand on hands and knees,
    or knees and forearms,
    or sit in a chair
    and use the lower back muscles to arch one's back
    and lift either head or arms or legs or all three:

    below shows
    some,
    but not all
    of the possibilities of a chair
    to encourage
    educate
    strengthen
    discover this
    "power center"
    in our lower back

    please note:
    the slower
    and less Donkey-like
    we do these
    movements

    and the more we use the minimum
    of effort
    and maximum
    of attention

    the more we will
    learn
    benefit
    transform

    p.s.
    rolling the head easily
    side to side
    as one does these
    is a nice way to make
    sure extra effort is
    not being used in
    our necks and jaws

    noticing and softening
    the breathing while to these,
    is another


    chair kneeling and back arching

    chair kneeling and back arching

    chair kneeling and back arching

    chair kneeling and back arching

    chair kneeling and back arching


    Sunday, October 12, 2008

    Gurdjieff, Moshe, living and sensing and waking

    food


    Picture this: Into a group of goody, goody, vegetarian,
    sugar avoiding, meditating till their knees dropped, make up avoiding,
    purple and die dye wearing, oh so pure souls
    storms a
    chain smoking,
    swearing,
    over weight,
    wildly naughtily and profoundly profanely humorous,
    sugar and meat eating,
    Television watching,
    attention as It promoting
    Jew.

    Moshe at Amherst?
    I don't know. Wasn't there.

    But this certainly was my Gurdjieff teacher breezing into Berkeley to save a bunch
    of us from SAT (Seeker After Truth), a goody, goody group,
    as deep as possible into the "spiritual materialism" that Chewing Gum
    Trungpa talked/wrote about .

    Said SAT, was Claudio Naranjo's baby, and since Claudio
    was greedy/ open to everything,
    we were greedy/ open to everything, Tibetan Buddhism, Gestalt
    therapy, Scientology (just the methods, a few, not the cult,
    sorry if anyone is offened), the Gurdjieff legacy (Claudio's gal friend
    had been a small child around the infamous G.), the Sufi stories of
    Idries Shah (highly recommended, today, tomorrow and forever, including
    the humor branch in the stories of Nasrudin),
    and lots and lots from Claudio's year in the desert with Oscar Ochazo,
    later of Arica fame.
    With The Arica-ish influence came the endless route of torturing ourselves
    and others with the Eneegram, and that's another, very long story.

    But, we were very good
    and Kathy and Claudio were crashing and SAT was crashing,
    and in breezed above mentioned overweight swearing f...ing
    chain smoking New York Jew.

    He had a group in New York, which included writers for New Yorker,
    and founder of National Lampoon. They, east coast branch, had bought
    a farm in upstate New York and spend the weekends doing the
    Gurdjieff version of meditation:

    sense both arms, fingers to shoulders
    sense both legs, toes to hips,
    be awake and aware to sounds coming in the ears,
    be awake and aware to reflected light coming
    in the eyes

    go about your entire day doing this,
    and doing real things:
    making gardens,
    build barns,
    dig pounds,
    move rocks,
    create pathways.

    Stay up late working,
    sanding floors, painting walls with one inch
    wide paint brushes,
    sometimes stay up all night,
    sometimes two nights in a row.

    This group didn't do the G movements,
    and another group, the group of this fellow's
    teacher, did, sort of.

    But even with this other group
    (which ended up also, like the first guy's East coast
    group) migrating to warmer, tree and space and fun Berkeley,
    was more interested in working as meditation,
    and they had a theater group, Theater of the Blue Rose.
    A play a month, ten months of the year, Rose Tatoo, Cabaret, Glass Menagerie,
    and so on, not light stuff, two weeks rehearsal, two weekends on, bam it's
    off and on to the next play.

    So, anyway:
    This was a great experience,
    that also feel apart with the leaders not quite
    able to be as awake at all times
    as they wanted us to be,
    but at least:
    real work,
    meditation as something that isn't on a pillow
    but in real life.

    I often think, that if Moshe had copied this
    aspect of G,
    and had his "followers" out in the country,
    doing their five lines
    and awareness through movement while doing
    "real things"
    the whole indoors, martial arts, aspect of the work
    might have been expanded to rather amazing
    levels.(For example, Anat, who adores Moshe,
    might not have a dungeon of darkness as her learning space)

    But, what an experience:
    the West coast branch,
    since we already more or less lived in country
    beauty by living in Berkeley,
    didn't buy a farm to practice work/ meditation:
    we rented a big factory space and
    restored an old car,
    eating cookies and drinking coffee after work
    'till twelve or so each night,
    a nice, amazing shift for many of us,
    and certainly a switch from habitual patterns.

    And the sacred dance:
    second teacher, teacher of first,
    and everything first was
    except overweight,

    (and the war they got into
    another, long story)

    did teach, via one of his ex girlfriends the
    "movements" for awhile, on the stage of above mentioned
    Theater of the Blue Rose
    (when people in that group were between jobs
    and needed to save money, they'd sleep on the stage at
    night..... and the jobs: what can you do and cultivate
    consciousness: lots of cab drivers, carpenters, garden makers...
    last two I found big fun, frustration, huge learning in,
    and need, occasionally, long before I came to FM as career,
    the need for ATM for aching back).

    Oh,yeah: Movements on the stage.

    Don't remember much:
    complicated,
    beautiful music.

    Here's the way my mind works:
    the main thing I remember is Virginia,
    the teacher of the movements, complaining
    to David, the G teacher, about people coming
    late, and David saying,
    "It doesn't take a genius to come on time."

    Maybe this is enough,
    on what was a long, weird and wonderful
    fifteen year,
    adventure.

    Ciao,
    Chris

    Wednesday, October 08, 2008

    What would Wake Up Yoga be Like?

    pumpkin

    Ah, la, life is so good.

    Wake up Yoga would be about using the
    silly/ wonderful/ interesting/ curious/ artificial/ brilliant/ idiotic
    poses
    postures
    shapes

    of yoga,

    to wake up to:

    1. Now

    2. The miracle of being in a human body

    3. The constancies of life on Earth:

    Breathing

    Gravity

    4. The constancies and challenges of the Human Form:

    Two legs

    High center of gravity

    Designed as a column with rotation the simplest action

    Place of seeing/ hearing/ smelling high up

    Place of balance and strength far down from this place

    Power in the middle, small delicate muscles at the edges

    5. The miracle of the Human Possibility:

    Awareness ( the now again, and more: awareness of our habit, and
    awareness of other variations)

    Slowing Down to Learn

    Learning as its own joy

    Joy when we quiet the rest of the nonsense down

    Learning quicker and more pleasant when we don't "try hard"

    6. Making the impossible possible
    The possible easy
    The easy elegant


    Something like that:

    And more about going inside and finding who and how
    you are
    and
    DISCOVERING POSSIBILITIES

    rather than the tired old monkey see
    highly skilled monkey do
    and monkey try to imitate highly skilled monkey

    Like this:

    Lie on your back.
    Feel the sweetness of the floor.
    Raise one leg to standing, i.e. foot flat on floor, knee toward sky.
    Press into the foot standing and rotate that hip
    Keep the other hip on the floor
    Push out your belly.
    Come back to flat.
    Go back and forth, and LEARN

    Try breathing in on the hip rotation/ belly out
    Try breathing out on the hip rotation/ belly out
    Notice the two changes in your spine:rotation and arching
    Notice even more: which vertebrae are doing what
    Notice: is your neck free
    Notice : is your jaw and breathing free
    Notice: are your finger soft and free
    Notice: which way would your spine like to side bend along the floor
    Notice: the way your foot presses into the floor
    Notice: the force of your foot against gravity and that moving through your whole spine
    Notice: how much fun, delight and learning it is, to Notice

    Thursday, October 02, 2008

    Mini Cure for Depression

    cotton woods

    the depression
    thing:

    ah,
    we can weave ourselves
    down and under,
    de
    press
    ourselves

    the Work of Byron Katie
    I'm doing at SlowSonoma.com
    and 108 Days: Undoing with Love

    is one way out
    of this trap

    another
    is to just get to now

    and especially
    the now
    of being in our bodies
    and learning
    to be happier
    smarter
    and more at ease
    in there:

    like this
    mini lesson:


    notice pelvis

    turn head left
    right

    pick one
    way

    turn half way that way,

    move eyes left and right

    close eyes
    imagine fixed ahead eyes
    and turn head right and left from half way L or R,
    whatever you picked.

    come to middle
    breathe

    go halfway again
    close eye,
    rock
    R and L on pelvis

    stop, open eyes and turn head fully
    that way:

    notice improvement in ease and range

    and if you had depression where would it go
    while putting attention on
    some many real
    and tangible parts of our functioning
    and learning
    Selves?